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1. |
Record Nr. |
UNINA9910162702103321 |
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Autore |
Simon Clea |
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Titolo |
As Dark As My Fur |
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Pubbl/distr/stampa |
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Newburyport : , : Severn House Publishers, Limited, , 2017 |
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©2017 |
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ISBN |
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Descrizione fisica |
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1 online resource (152 pages) |
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Collana |
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The Blackie and Care Cat Mysteries ; ; v.2 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Intro -- Contents -- Recent Titles by Clea Simon from Severn House -- Title Page -- Dedication -- Copyright -- Chapter One -- Chapter Two -- Chapter Three -- Chapter Four -- Chapter Five -- Chapter Six -- Chapter Seven -- Chapter Eight -- Chapter Nine -- Chapter Ten -- Chapter Eleven -- Chapter Twelve -- Chapter Thirteen -- Chapter Fourteen -- Chapter Fifteen -- Chapter Sixteen -- Chapter Seventeen -- Chapter Eighteen -- Chapter Nineteen -- Chapter Twenty -- Chapter Twenty-One -- Chapter Twenty-Two -- Chapter Twenty-Three -- Chapter Twenty-Four -- Chapter Twenty-Five -- Chapter Twenty-Six -- Chapter Twenty-Seven -- Chapter Twenty-Eight -- Chapter Twenty-Nine -- Chapter Thirty -- Chapter Thirty-One -- Chapter Thirty-Two -- Chapter Thirty-Three -- Chapter Thirty-Four -- Chapter Thirty-Five -- Chapter Thirty-Six -- Chapter Thirty-Seven -- Chapter Thirty-Eight. |
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2. |
Record Nr. |
UNINA9910785547903321 |
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Autore |
Paquet Darcy |
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Titolo |
New Korean cinema [[electronic resource] ] : breaking the waves / / Darcy Paquet |
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Pubbl/distr/stampa |
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London ; ; New York, : Wallflower, c2009 |
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ISBN |
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Descrizione fisica |
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1 online resource (145 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; Acknowledgments; Introduction; 1 A New Society; 2 A New Film Industry; 3 The Boom; 4 New Ambitions; 5 Conclusion; Filmography; Bibliography; Index |
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Sommario/riassunto |
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New Korean Cinema charts the dramatic transformation of South Korea's film industry from the democratization movement of the late 1980s to the 2000s new generation of directors. The author considers such issues as government censorship, the market's embrace of Hollywood films, and the social changes which led to the diversification and surprising commercial strength of contemporary Korean films. Directors such as Hong Sang-soo, Kim Ki-duk, Park Chan-wook, and Bong Joon-ho are studied within their historical context together with a range of films including Sopyonje (1993), Peppermint Candy |
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