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1. |
Record Nr. |
UNINA9910784586403321 |
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Titolo |
Fiscal federalism and European economic integration / / edited by Mark Baimbridge and Philip Whyman |
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Pubbl/distr/stampa |
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London ; ; New York : , : Routledge, , 2004 |
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ISBN |
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1-134-53876-6 |
1-280-14080-1 |
0-203-98725-X |
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Descrizione fisica |
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1 online resource (217 p.) |
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Collana |
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Routledge studies in the European economy ; ; 13 |
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Classificazione |
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Altri autori (Persone) |
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BaimbridgeMark |
WhymanPhilip |
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Disciplina |
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Soggetti |
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Intergovernmental fiscal relations - European Union countries |
Budget - European Union countries |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Book Cover; Title; Contents; List of figures; List of tables; List of contributors; Preface; Acknowledgements; Introduction: fiscal federalism and EMU: an appraisal; An essay on fiscal federalism; The political economy of EMU and the EU Stability Pact; The development of EU budgetary measures and the rise of structural funding; The development of the EU Budget and EMU; Stabilization in EMU: a critical review; Fiscal and monetary policies; Australia's federal experience; Fiscal federalism in Switzerland: a public choice approach |
Fiscal institutions, regional adjustment and convergence in Canada's currency union: lessons for EMUIndex |
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Sommario/riassunto |
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The pace of economic integration amongst European Union (EU) member states has accelerated considerably during the past decade, highlighted by the process of Economic and Monetary Union (EMU). Many aspects of the EU's apparatus, however, have failed to evolve in order to meets these new challenges. This book explores the issue of fiscal federalism within the context of EU integration from theoretical, historical, policy and global perspectives. It contrasts the pace of integration amongst EU member states with the failure of financial and administrative apparatus to evolve to encompass fiscal |
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2. |
Record Nr. |
UNINA9910160335403321 |
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Autore |
Armstrong Kelley |
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Titolo |
Otherworld Nights : More Otherworld Tales |
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Pubbl/distr/stampa |
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New York : , : Random House of Canada, , 2014 |
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©2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (286 pages) |
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Collana |
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The Women of the Otherworld |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Demonology -- Twilight -- Stalked -- Chivalrous -- Lucifer's daughter --Hidden -- From Russia, with love -- Vanishing act. |
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Sommario/riassunto |
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Rare and never-before published short stories featuring fan favorites from the "New York Times" bestselling series It's been more than ten years since Kelley Armstrong began the Otherworld series and drew legions of fans to a realm roamed by witches, werewolves, necromancers, vampires, and half-demons. Many of the novels have become bestselling favorites, but not all of the Otherworld adventures have been easy to find. At last, "Otherworld Nights "shares short stories that have previously been available only online or in obscure collections. Fans have long been clamoring for this anthology and they won't be disappointed--they'll find plenty of surprises are in store. |
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3. |
Record Nr. |
UNINA9910588780103321 |
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Autore |
Dietrich Nikolaus |
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Titolo |
Image, Text, Stone : Intermedial Perspectives on Graeco-Roman Sculpture / / ed. by Nikolaus Dietrich, Johannes Fouquet |
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Pubbl/distr/stampa |
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Berlin/Boston, : De Gruyter, 2022 |
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Berlin ; ; Boston : , : De Gruyter, , [2022] |
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©2022 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (VIII, 374 p.) |
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Collana |
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Materiale Textkulturen , , 2198-6932 ; ; 36 |
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Disciplina |
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Soggetti |
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ART / History / Ancient & Classical |
Sculpture, Greek |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Contents -- Introduction -- I Sculpture and the (Material) Art of Epigram -- Wonder and Surprise as Responses to Art -- Homers Kameradinnen -- II A Portrait and a Name: Problematizing a (not so) Easy Match -- Ἀνεπίγραφοι -- Statuen wie Schauspieler? -- III Inscribed Sculpture in Space: the Moving Gaze -- Motionless Statues? -- Bild und Schrift auf dem Weg zur Transmedialität -- IV Exploring Image and Text Beyond Grand Sculpture -- Das Ideal der guten Ehefrau -- Bilder einer intermedialen Inszenierung -- V Inscriptions, Painted and Scratched -- Monumentalising Vase-Inscriptions -- Primary and Secondary Decoration -- VI Inscribed Monuments in the longue durée -- Inscribed Classical Victory Offerings at Olympia in the longue durée -- Notes on Contributors -- Abbreviations -- Indices |
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Sommario/riassunto |
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This edited volume explores the intermediality of image and text in Graeco-Roman sculpture. Through its choice of authors, disciplinary backgrounds are deliberately merged in order to bridge the traditional gap between archaeologists, epigraphists and philologists, who for a long time studied statues, material inscriptions and literary epigrams within the closely confined borders of their individual disciplines. Through its choice of objects, privileging works of which there are |
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significant material remains, through its inclusion of all kinds of figural-cum-inscriptional designs, ranging from grand sculpture to reliefs and ‘decorative’ marble-objects, and through its methodological emphasis on ‘close viewing’ (and reading!) of individual objects, this volume focuses on the materiality of both sculpture and inscription. This perspective is enriched by two comparative chapters on inscribing Greek vases and Roman walls (graffiti). The intermediality of image and inscription is envisaged from various thematic angles, including the intricacies of combining image and epigram (both materially and in literary projection), the original production and reception of inscribed sculpture in its ‘long life’, the viewing and ‘reading’ of sculpture in a space of movement, the issue of (re-)naming statues, and the image and inscription in its social and gender-historical context. |
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