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1. |
Record Nr. |
UNINA9910824322803321 |
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Autore |
Ochrana Frantisek |
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Titolo |
Detecting and reducing corruption risk and fraud in the public sector / / Frantisek Ochrana, Milan Jan Pucek, Michal Placek |
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Pubbl/distr/stampa |
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[Place of publication not identified] : , : Karolinum Press, , [2017] |
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©2017 |
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ISBN |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (134 pages) : illustrations |
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Disciplina |
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Soggetti |
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Public administration - Czech Republic |
Corruption - Czech Republic |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910158981803321 |
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Autore |
Bent George R. |
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Titolo |
Public painting and visual culture in early republican Florence / / George R. Bent |
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Pubbl/distr/stampa |
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New York : , : Cambridge University Press, , 2016 |
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ISBN |
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1-316-81099-2 |
1-316-81108-5 |
1-316-50524-3 |
1-316-48897-7 |
1-316-81117-4 |
1-316-81126-3 |
1-316-81153-0 |
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Descrizione fisica |
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1 online resource (xv, 334 pages) : digital, PDF file(s) |
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Classificazione |
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Disciplina |
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Soggetti |
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Painting, Italian - Italy - Florence - Themes, motives |
Public art - Italy - Florence - History - To 1500 |
Art and society - Italy - Florence - History - To 1500 |
Florence (Italy) Civilization |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 31 Jan 2017). |
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Sommario/riassunto |
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Street corners, guild halls, government offices, and confraternity centers contained paintings that made the city of Florence a visual jewel at precisely the time of its emergence as an international cultural leader. This book considers the paintings that were made specifically for consideration by lay viewers, as well as the way they could have been interpreted by audiences who approached them with specific perspectives. Their belief in the power of images, their understanding of the persuasiveness of pictures, and their acceptance of the utterly vital role that art could play as a propagator of civic, corporate, and individual identity made lay viewers keenly aware of the paintings in their midst. Those pictures affirmed the piety of the people for whom they were made in an age of social and political upheaval, as the city |
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experimented with an imperfect form of republicanism that often failed to adhere to its declared aspirations. |
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