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1. |
Record Nr. |
UNISA990000353680203316 |
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Autore |
CARLONE, Carmine |
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Titolo |
I regesti dei documenti della Certosa di Padula, 1070-1400 / a cura di Carmine Carlone ; presentazione di Giovanni Vitolo |
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Pubbl/distr/stampa |
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Salerno : Car, copyr. 1996 |
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ISBN |
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Descrizione fisica |
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Collana |
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Fonti per la storia del Mezzogiorno medievale ; 13 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Pergamene - Padula - Certosa di San Lorenzo - Sec. 11.-15. - Regesti |
Padula Certosa di San Lorenzo Patrimonio Sec. 11.-15. Fonti archivistiche |
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Collocazione |
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XV.1.A. 27(III A COLL. 197 13) |
XV.1.A. 27a(V G 409/13) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910828564703321 |
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Autore |
Gunster Shane |
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Titolo |
Capitalizing on culture : critical theory for cultural studies / / Shane Gunster |
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Pubbl/distr/stampa |
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Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2004 |
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©2004 |
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ISBN |
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1-282-02304-7 |
9786612023040 |
1-4426-7272-2 |
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Descrizione fisica |
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1 online resource (356 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Popular culture - Economic aspects |
Popular culture - Study and teaching |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction: Culture as Commodity ; 3 -- ; 1 Mass Culture and the Commodity Form: Revisiting the Culture Industry Thesis ; 23 -- ; 2 Capitalism, Mimesis, Experience: Legacies of the Commodity Fetish ; 69 -- ; 3 Dreams of Redemption? Adorno, Benjamin, and the Dialectics of Culture ; 103 -- ; 4 From Mass to Popular Culture: From Frankfurt to Birmingham ; 171 -- ; 5 Articulation and the Commodity Form: Rethinking Contemporary Cultural Studies ; 216. |
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Sommario/riassunto |
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"Building on the works of Theodor Adorno and Walter Benjamin, Capitalizing on Culture presents an exploration of critical theory in a cultural landscape dominated by capital. Despite the increasing prevalence of commodification as a dominant factor in the production, promotion, and consumption of most forms of mass culture, many in the cultural studies field have failed to engage systematically either with culture as commodity or with critical theory. Shane Gunster corrects that oversight, providing attentive readings of Adorno's and Benjamin's works in order to generate a complex, non-reductive theory of human experience that attends to the opportunities and dangers |
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arising from the confluence of culture and economics." "Gunster juxtaposes Benjamin's thoughts on memory, experience, and capitalism with Adorno's critique of mass culture and modern aesthetics to illuminate the key position that the commodity form plays in each thinker's work and to invigorate the dialectical complexity their writings acquire when considered together. This blending of perspectives in subsequently used to ground a theoretical interrogation of the comparative failure of cultural studies to engage substantively with the effect of commodification upon cultural practices. As a result, Capitalizing on Culture offers a fresh examination of critical theory that will be valuable to scholars studying the intersection of culture and capitalism."--Jacket. |
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3. |
Record Nr. |
UNINA9910157387203321 |
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Autore |
Ford Rhys |
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Titolo |
Whiskey and wry (français) / / Rhys Ford |
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Pubbl/distr/stampa |
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ISBN |
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Descrizione fisica |
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Collana |
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Classificazione |
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Soggetti |
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Fiction |
LGBTQIA+ (Fiction) |
Romance |
Suspense |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Il était mort. Et c'était le plus odieux des meurtres. Si effacer l'existence d'un homme pouvait être considéré comme un meurtre. Lorsque Damien Mitchell reprend connaissance, il n'a plus de vie, plus de nom. Les médecins de l'asile du Montana lui affirment qu'il est délirant et que ses souvenirs ne sont que des mensonges : il est vraiment Stephen Thompson et il a basculé dans la folie, obsédé par une rock star morte |
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dans un violent accident. Sa chance de pouvoir s'échapper pour retrouver sa vie survient quand sa prison brûle, mais un homme armé l'attend, déterminé à ce que, ni Stephen Thompson, ni Damien Mitchell n'y survivent. Avec un assassin sur les talons, Damien s'enfuit jusqu'à la Ville sur la baie , où il fait profil bas, seule façon pour lui de survivre pendant qu'il cherche son meilleur ami, Miki St John, dans les rues de San Francisco. Retournant à ce qui lui permettait de se nourrir avant qu'il ne devienne connu, Damien chante devant le Finnegan, un pub irlandais sur la jetée, pour avoir de quoi manger, et il tombe bientôt sur le propriétaire, Sionn Murphy. Damien n'a pas besoin d'une complication tel que Sionn et, pour aggraver les choses, le tireur – qui ne se soucie pas de faire face à Sionn, ou à n'importe qui d'autre, si cela lui permet de tuer Damien – resurgit pour finir ce qu'il a commencé. |
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4. |
Record Nr. |
UNINA9910145086403321 |
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Titolo |
Construction innovation |
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Pubbl/distr/stampa |
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Classificazione |
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cci1icc |
coll11 |
coll14 |
coll20 |
coll29 |
coll108 |
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Disciplina |
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Soggetti |
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Building - Research - Canada |
Building - Canada |
Construction - Recherche - Canada |
Construction - Canada |
Building |
Building - Research |
Periodicals |
Canada |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Periodico |
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Note generali |
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Publisher's Web site: http://www.nrc-cnrc.gc.ca. |
Distributed by Government of Canada Depository Services Program. |
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