|
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910156232503321 |
|
|
Autore |
Van der Wiel Reina |
|
|
Titolo |
Literary Aesthetics of Trauma : Virginia Woolf and Jeanette Winterson / / by Reina Van der Wiel |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2014 |
|
|
|
|
|
|
|
|
|
ISBN |
|
1-349-45682-9 |
1-137-31101-0 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed. 2014.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (262 p.) |
|
|
|
|
|
|
Classificazione |
|
|
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
British literature |
Literature—History and criticism |
Literature, Modern—20th century |
Literature—Philosophy |
Fiction |
Aesthetics |
British and Irish Literature |
Literary History |
Twentieth-Century Literature |
Literary Theory |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Cover; Contents; Acknowledgements; Introduction: Trauma, Psychoanalysis, Literary Form; 1 Writing the Body: Trauma, Woolf, Winterson; 2 Symbolization, Thinking and Working-Through: British Object Relations Theory; 3 ''The Most Difficult Abstract Piece of Writing'': ''Time Passes'' as Container; 4 ''Ideas of Feeling'': Symbolic Transformation in Modernist Formalist Aesthetics; 5 Woolf''s Embodied Cognitive Aesthetics: The Waves; 6 From Form to Feeling: Trauma and Affective Excess in Art & Lies; 7 ''The Story of My Life'': Winterson''s Adoption, Art and Autobiography; Coda; Notes; Bibliography |
Index |
|
|
|
|
|
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Literary Aesthetics of Trauma: Virginia Woolf and Jeanette Winterson investigates a fundamental shift, from the 1920s to the present day, in the way that trauma is aesthetically expressed. Modernism's emphasis on impersonality and narrative abstraction has been replaced by the contemporary trauma memoir and an ethical imperative to bear witness. |
|
|
|
|
|
|
|
| |