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1. |
Record Nr. |
UNINA9910701917003321 |
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Titolo |
Overview of heat addition and efficiency predictions for an advanced stirling convertor [[electronic resource] /] / Scott D. Wilson ... [and others] |
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Pubbl/distr/stampa |
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Cleveland, Ohio : , : National Aeronautics and Space Administration, Glenn Research Center, , [2012] |
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Descrizione fisica |
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1 online resource (11 pages) : illustrations (some color) |
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Collana |
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Altri autori (Persone) |
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WilsonScott D (Scott Dean) |
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Soggetti |
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Aerospace systems |
Computational fluid dynamics |
Heat measurement |
Heat sources |
Radioisotope heat sources |
Stirling cycle |
Mathematical models |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from title screen (viewed on Aug. 6, 2012). |
"March 2012." |
"Prepared for the 9th International Energy Conversion Engineering Conference (IECEC) sponsored by the American Institute of Aeronautics and Astronautics, San Diego, California, July 31-August 3, 2011." |
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Nota di bibliografia |
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Includes bibliographical references (pages 10-11). |
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2. |
Record Nr. |
UNICASSBL0446795 |
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Autore |
Valussi, Giorgio |
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Titolo |
5: Friuli-Venezia Giulia / Giorgio Valussi |
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Pubbl/distr/stampa |
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Torino, : Unione tipografico-editrice torinese, 1971 |
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Titolo uniforme |
Friuli-Venezia Giulia |
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Edizione |
[2. ed. riveduta e aggiornata] |
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Descrizione fisica |
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XIV, 733 p. : ill., [6] c. tav., 1 c. geogr. ; 28 cm |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910155497603321 |
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Autore |
Aikins Carroll |
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Titolo |
The God of Gods: A Canadian Play |
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Pubbl/distr/stampa |
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University of Ottawa Press |
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ISBN |
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Descrizione fisica |
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1 online resource (200 p.) |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Carroll Aikins's play The God of Gods (1919) has been out of print since its first and only edition in 1927. This critical edition not only revives the work for readers and scholars alike, it also provides historical context for Aikins's often overlooked contributions to theatre in the 1920s and presents research on the different staging techniques in the |
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play's productions.Much of the play's historical significance lies in Aikins's vital role in Canadian theatre, as director of the Home Theatre in British Columbia (1920-22) and artistic director of Toronto's Hart House Theatre (1927-29). Wright reveals The God of Gods as a modernist Canadian work with overt influences from European and American modernisms. Aikins's work has been compared to European modernists Gordon Craig, Adolphe Appia, and Jacques Copeau. Importantly, he was also intimately connected with modernist Canadian artists and the Group of Seven (who painted the scenery for Hart House Theatre).The God of Gods contributes to current studies of theatrical modernism by exposing the primitivist aesthetics and theosophical beliefs promoted by some of Canada's art circles at the turn of the twentieth century. Whereas Aikins is clearly progressive in his political critique of materialism and organized religion, he presents a conservative dramatization of the noble savage as hero. The critical introduction examines how The God of Gods engages with Nietzschean and theosophical philosophies in order to dramatize an Aboriginal lover-artist figure that critiques religious idols, materialism, and violence. Ultimately, The God of Gods offers a look into how English and Canadian theatre audiences responded to primitivism, theatrical modernism, and theosophical tenets during the 1920s.Published in English. |
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