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Record Nr. |
UNINA9910155422703321 |
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Autore |
Imesch Kornelia |
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Titolo |
Constructions of Cultural Identities in Newsreel Cinema and Television after 1945 / Kornelia Imesch, Sigrid Schade, Samuel Sieber |
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Pubbl/distr/stampa |
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Bielefeld, : transcript Verlag, 2016 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (231 pages) : illustrations (some color), photographs |
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Collana |
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Disciplina |
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Soggetti |
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Newsreel; Film; Television; Archive; National Identity; Cultural Identity; Contemporary Art; Media; Cultural History; Media History; Media Studies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references at the end of each chapters. |
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Nota di contenuto |
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Frontmatter 1 Contents 5 Introduction: Constructions of Cultural Identities in Newsreel Cinema and Television after 1945 7 The Politics of Archives 21 The Creation of Cultural Identity through Weekly Newsreels in Germany in the 1950s 39 West German State Newsreels in the Period of the Economic Miracle 1950-1964 55 The Visual Memory of the Cold War 81 Art Exhibitions through Newsreels 101 Jean Tinguely & Le Corbusier in Swiss Weekly Film Newsreels and Television 117 Fiction and Newsreel Documentary in Godard's Cinema 133 Between Migration and Integration 167 Re-marking of Differences: Culture Television and Art Interplaying 189 Constructing an Emancipated Culture of Art Spectatorship? 207 Authors 225 |
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Sommario/riassunto |
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Newsreel cinema and television not only served as an important tool in the shaping of political spheres and the construction of national and cultural identities up to the 1960s. Today's potent televisual forms were furthermore developed in and strongly influenced by newsreels, and much of the archived newsreel footage is repeatedly used to both illustrate and re-stage past events and their significance. This book addresses newsreel cinema and television as a medium serving the formation of cultural identities in a variety of national contexts after 1945, its role in forming audiovisual narratives of a »biopic of the nation«, and the technical, aesthetical, and political challenges of |
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