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Record Nr. |
UNINA9910450666003321 |
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Titolo |
The constructed past : experimental archaeology, education, and the public / / edited by Peter G. Stone and Philippe G. Planel |
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Pubbl/distr/stampa |
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London ; ; New York : , : Routledge, , 1999 |
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ISBN |
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1-134-82828-4 |
1-280-02016-4 |
0-203-28823-8 |
0-203-20582-0 |
9786610020164 |
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Descrizione fisica |
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1 online resource (324 p.) |
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Collana |
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One world archaeology ; ; 36 |
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Altri autori (Persone) |
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PlanelPhilippe G. <1948-> |
StonePeter G. <1957-> |
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Disciplina |
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Soggetti |
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Archaeology - Experiments |
Archaeology - Study and teaching |
Historic sites - Conservation and restoration |
Historic sites - Interpretive programs |
Archaeology and history |
Excavations (Archaeology) - Interpretive programs |
Tourism - Social aspects |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Papers originally presented at the third World Archaeological Congress held in New Delhi, India in December 1994. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Book Cover; Title; Contents; List of figures; List of tables; List of contributors; Preface; Introduction; Archaeological reconstructions and the community in the UK; Reconstruction versus preservation-in-place in the US National Park Service; Reconstruction sites and education in Japan: a case study from the Kansai region; The origin and role of the Irish National Heritage Park; Resurrection and deification at Colonial Williamsburg, USA; Shakespeare's Globe: 'As faithful a copy as scholarship could get'; 'A bit of a bastard'; Butser Ancient Farm, Hampshire, UK; The Historical |
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Archaeological Experimental Centre at Lejre, Denmark: 30 years of experimenting with the past Reconstruction as ideology: the open air museum at Oerlinghausen, Germany; Slavonic archaeology: Gro Raden, an open air museum in a unified Germany; The reconstruction of sites in the archaeological theme park ARCHEON in the Netherlands; Pembrokeshire's pasts. Natives, invaders and Welsh archaeology: the Castell Henllys experience; The Parc Pyreneen d'Art Prehistorique, France: beyond replica and re-enactment in interpreting the ancient past |
Experimental archaeology and education: ancient technology at the service of modern education at SAMARA, France Lake dwellings: archaeological interpretation and social perception, a case study from France; The Ancient Technology Centre, Cranborne, UK: a reconstruction site built for education; Bede's World, UK: the monk who made history; Archaeological reconstruction and education at the Jorvik Viking Centre and Archaeological Resource Centre, York, UK; oNdini, the Zulu royal capital of King Cetshwayo ka Mpande (1873 1879); Arkaim Archaeological Park: a cultural; ecological reserve in Russia |
Index |
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Sommario/riassunto |
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The Constructed Past presents group of powerful images of the past, termed in the book construction sites. At these sites, full scale, three-dimensional images of the past have been created for a variety of reasons including archaeological experimentation, tourism and education. Using various case studies, the contributors frankly discuss the aims, problems and mistakes experienced with reconstruction. They encourage the need for on-going experimentation and examine the various uses of the sites; political, economical and educational. |
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2. |
Record Nr. |
UNINA9910155129903321 |
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Titolo |
Enchantment and dis-enchantment in Shakespeare and early modern drama : wonder, the sacred, and the supernatural / / edited by Nandini Das and Nick Davis |
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Pubbl/distr/stampa |
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New York : , : Routledge, , 2017 |
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ISBN |
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1-317-29067-4 |
1-315-64499-1 |
1-317-29068-2 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (202 pages) |
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Collana |
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Routledge studies in renaissance literature and culture ; ; 33 |
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Altri autori (Persone) |
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DasNandini |
DavisNick <1977-> |
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Disciplina |
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Soggetti |
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English drama - Early modern and Elizabethan, 1500-1600 - History and criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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1. Demonism and disenchantment in the First part of the contention / Jesse M. Lander -- 2. Mortal, martyr, or monster? Working on the king's corpse in the Henriad / Maggie Vinter -- 3. The charm in Macbeth / E.S. Mallin -- 4. Enchanted materialism in Paracelsus, Hobbes, and Hamlet / Aaron Kitch -- 5. "Wondrous" healings " the "new philosophy", medicine and miracles on the early modern stage / Margaret Healy -- 6. "Things which are not" : idolatry and enchantment in The white devil / Chloe Porter -- 7. Charisma and the making of the misanthrope in Timon of Athens / Joan Pong Linton -- 8. "The wealthy magazine of nature" : knowledge, wonder, and gunpowder in Fletcher's The island princess / Sarah Linwick -- 9. "Almost a miracle" : penitence in The winter's tale / Sara Saylor -- 10. Ghost-stories and living monuments : brining wonders to life in The winter's tale / Erin Minear. |
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Sommario/riassunto |
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This volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By |
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starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of 'enchanted' and 'disenchanted' practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world's ordinary functioning might be said to be 'enchanted', is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama. |
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