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Record Nr. |
UNINA9910155109503321 |
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Titolo |
The Europeanness of European cinema : identity, meaning, globalization / / edited by Mary Harrod, Mariana Liz, and Alissa Timoshkina |
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Pubbl/distr/stampa |
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London, England : , : I.B. Tauris, , 2019 |
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[London, England] : , : Bloomsbury Publishing, , 2019 |
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ISBN |
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0-7556-9482-1 |
1-78673-966-6 |
0-85773-848-8 |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (210 pages) : illustrations |
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Collana |
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International library of the moving image ; ; 25 |
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Disciplina |
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Soggetti |
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Motion pictures - Europe - History |
Film theory & criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references (pages 241-257) and index. |
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Nota di contenuto |
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List of Illustrations, Table and Graph vii -- Acknowledgements ix -- Contributors xi -- The Europeanness of European Cinema: An Overview 1 / Mary Harrod, Mariana Liz and Alissa Timoshkina -- Section 1 Defining Europe and Its Cinema -- 1 European Cinema into the Twenty-First Century: Enlarging the Context? 17 / Thomas Elsaesser -- 2 Popular European Cinema in the 2000s: Cinephilia, Genre and Heritage 33 / Tim Bergfelder -- 3 Changing the Image of Europe? The Role of European Co-Productions, Funds and Film Awards 59 / Anne Jäckel -- 4 From European Co-Productions to the Euro-Pudding 73 / Mariana Liz -- 5 Christianity and European Film 87 / Catherine Wheatley -- 6 The Feather Collectors: Erased Identity and Invisible Representations of the Roma in Yugoslav Cinema 101 / Greg De Cuir Jr. -- Section 2 Transnational Europe: Genre, Stardom and Language -- 7 The Trouble with Stars: Vernacular versus Global Stardom in Two Forms of European Popular Culture 117 / Olof Hedling -- 8 Juliette Binoche: The Perfect European Star 131 / Ginette Vincendeau -- 9 Franglais, Anglais and Contemporary French Comedy 145 / Mary Harrod -- 10 Laughing in Tongues: Polyglot Comedy in Europe 159 / Alison Smith -- |
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11 The Use of English in European Feature Films: Unity in Diversity? 173 / Laëtitia Kulyk -- Section 3 Circulating Europeanness -- 12 Paris je t'aime (plus): Europhobia as Europeanness in Luc Besson and Pierre Morel's Dystopia Trilogy 185 / Neil Archer -- 13 Hollywood and Europe: Remaking The Girl with the Dragon Tattoo 199 / Lucy Mazdon -- 14 Spanish Heritage Cinema 213 / Sally Faulkner -- 15 From Russia to Europe and Back: East Meets West in the Films of Pavel Lungin 227 / Alissa Timoshkina -- Bibliography 241 -- Index 259. |
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Sommario/riassunto |
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This title identifies the distinctive character of European cinema, both in films and as a critical concept. Including in-depth analyses of production and reception contexts as well as original readings of key European films from leading experts in the field, it re-negotiates traditional categories such as auteurism, art cinema and national cinemas. |
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