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1. |
Record Nr. |
UNINA990000125550403321 |
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Autore |
Plumier, Charles |
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Titolo |
L'art de tourner, ou de faire en perfection toutes sortes d'ouvrages au tour [...] / par Charles Plumier |
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Pubbl/distr/stampa |
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A Paris : Chez C.A. Jombert, 1749 |
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Descrizione fisica |
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XXVII, 244 p., 79 tav. : ill. ; 39 cm |
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Disciplina |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910708023103321 |
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Autore |
Carswell William J. |
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Titolo |
The 3D Elevation Program : summary for Minnesota / / [by William J. Carswell, Jr.] |
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Pubbl/distr/stampa |
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[Reston, Va.] : , : U.S. Department of the Interior, U.S. Geological Survey, , 2013 |
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Descrizione fisica |
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1 online resource (2 unnumbered pages) : color maps |
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Collana |
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Soggetti |
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Digital elevation models - Minnesota |
Three-dimensional imaging - Minnesota |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references (page [2]). |
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3. |
Record Nr. |
UNINA9910149419203321 |
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Autore |
Newman Dan <1966-> |
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Titolo |
The Clearing / / Dan Newman |
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Pubbl/distr/stampa |
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New York, NY : , : Diversion Publishing Corp., , [2016] |
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©2016 |
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ISBN |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (200 pages) |
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Disciplina |
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Soggetti |
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Boys |
Jungles |
Male friendship |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Intro -- The Clearing -- Copyright -- Dedication -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- 7 -- 8 -- 9 -- 10 -- 11 -- 12 -- 13 -- 14 -- 15 -- 16 -- 17 -- 18 -- 19 -- 20 -- 21 -- 22 -- 23 -- 24 -- 25 -- 26 -- 27 -- 28 -- 29 -- 30 -- 31 -- 32 -- Acknowledgements -- Connect with Diversion Books. |
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4. |
Record Nr. |
UNINA9910154725903321 |
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Autore |
Stout Daniel |
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Titolo |
Corporate Romanticism : Liberalism, Justice, and the Novel / / Daniel M. Stout |
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Pubbl/distr/stampa |
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Baltimore, Maryland : , : Project Muse, , 2016 |
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Baltimore, Md. : , : Project MUSE, , 2017 |
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©2016 |
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ISBN |
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0-8232-7227-3 |
0-8232-7228-1 |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (264 pages) |
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Collana |
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Disciplina |
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Soggetti |
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English literature - 19th century - History and criticism |
Liberalism in literature |
Juristic persons |
Individualism in literature |
Corporations in literature |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Issued as part of book collections on Project MUSE. |
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Nota di bibliografia |
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Includes bibliographical references (pages [231]-248) and index. |
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Nota di contenuto |
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Introduction : personification and its discontents -- 1. The pursuit of guilty things : corporate actors, collective actions, and romantic abstraction -- 2. The one and the manor : on being, doing, and deserving in Mansfield Park -- 3. Castes of exception : tradition and the public sphere in The private memoirs and confessions of a justified sinner -- 4. Nothing personal : the decapitations of character in A tale of two cities -- 5. Not world enough : easement, externality, and the edges of justice (Caleb Williams) -- Epilogue : everything counts (Frankenstein). |
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Sommario/riassunto |
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Corporate Romanticism offers an alternative history of the connections between modernity, individualism, and the novel. In early nineteenth-century England, two developments-the rise of corporate persons and the expanded scale of industrial action-undermined the basic assumption underpinning both liberalism and the law: that individual |
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human persons can be meaningfully correlated with specific actions and particular effects. Reading works by Godwin, Austen, Hogg, Mary Shelley, and Dickens alongside a wide-ranging set of debates in nineteenth-century law and Romantic politics and aesthetics, Daniel Stout argues that the novel, a literary form long understood as a reflection of individualism's ideological ascent, in fact registered the fragile fictionality of accountable individuals in a period defined by corporate actors and expansively entangled fields of action. Examining how liberalism, the law, and the novel all wrestled with the moral implications of a highly collectivized and densely packed modernity, Corporate Romanticism reconfigures our sense of the nineteenth century and its novels, arguing that we see in them not simply the apotheosis of laissez-fair individualism but the first chapter of a crucial and distinctly modern problem about how to fit the individualist and humanist terms of justice onto a world in which the most consequential agents are no longer persons. |
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