1.

Record Nr.

UNINA9910154664903321

Autore

Hoffman Yoel

Titolo

The Sound of the One Hand : 281 Zen Koans with Answers

Pubbl/distr/stampa

New York : , : New York Review Books, , 2016

©2016

ISBN

9781681370231

1681370239

Descrizione fisica

1 online resource (185 pages)

Classificazione

PHI025000REL092000OCC027000

Altri autori (Persone)

HoffmannYoel

BursteinDror

Disciplina

294.3927

Soggetti

Zen Buddhism

Koans

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di contenuto

Biographical Notes -- Title Page -- Copyright and More Information -- Contents -- Introduction -- The Sound of the One Hand --   Foreword --   Translator’s Note --   Part One --     The Koan on the Sound of the One Hand and the Koan on Mu --     The Way of the Inzan School --     The Way of the Takujū School --   Part Two --     Miscellaneous Koans --   Part Three --     The One Hundred Forty-Four Koans --     1. The Man up the Tree --     2. The Man in the Well --     3. Why a Monk’s Garment? --     4. The World a Grain of Rice --     5. The Three Gates of Master Ōryū --     6. Where Do the Snowflakes Fall? --     7. Round Are the Lotus Leaves --     8. The Sound of Rain --     9. The Three Questions of Master Tosō --     10. The Sentence of Being and the Sentence of Nothing --     11. Subject, Object --     12. The Unrankable Being --     13. A Flower in Bloom --     14. Will IT Be Destroyed?

Sommario/riassunto

"When The Sound of One Hand Clapping came out in Japan in  1916 it caused a scandal. Zen was a secretive practice, its wisdom  relayed from master to novice in strictest privacy. That a handbook  existed recording not only the riddling koans that are central to Zen  teaching but also detailing the answers to them seemed to mark Zen as  rote, not revelatory.  For all that, The Sound of One Hand Clapping opens the door  to Zen like no other book. Including koans that go back to the



master  who first brought the koanteaching method from Japan to China in the  eighteenth century, this book offers, in the words of the translator,  editor, and Zen initiate Yoel Hoffmann, "the clearest, most detailed,  and most correct picture of Zen" that can be found. What we have here is  an extraordinary introduction to Zen thought as lived thought, a  treasury of problems, paradoxes, and performance that will appeal to  artists, writers, and philosophers as well as Buddhists and students of  religion"--