| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910145114803321 |
|
|
Titolo |
2007 European Conference on Circuit Theory and Design |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
[Place of publication not identified], : I E E E, 2007 |
|
|
|
|
|
|
|
ISBN |
|
9781509086498 |
1509086498 |
9781424413423 |
1424413427 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Electric circuits |
Electric filters |
Electric networks |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Bibliographic Level Mode of Issuance: Monograph |
|
|
|
|
|
|
Sommario/riassunto |
|
3D discrete wavelet transform (DWT) is a compute-intensive task that is usually implemented on specific architectures in many real-time medical imaging systems. In this paper, a novel area-efficient high-throughput 3D DWT architecture is proposed based on distributed arithmetic. A tap-merging technique is used to reduce the size of DA lookup tables. The proposed architectures were designed in VHDL and mapped to a Xilinx Virtex-E FPGA. The synthesis results show the proposed architecture has a low area cost and can run up to 85 MHz, which can perform a five-level 3D wavelet analysis for seven 128 times 128 times 128 volume images per second. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910154331603321 |
|
|
Titolo |
The arts of the prima donna in the long nineteenth century |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York ; ; Oxford, : Oxford University Press, 2011 |
|
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Opera - 19th century |
Women singers - 20th century |
Singers |
Opera |
Music |
Music, Dance, Drama & Film |
Music History & Criticism, Vocal |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Bibliographic Level Mode of Issuance: Monograph |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Sommario/riassunto |
|
Female characters assumed increasing prominence in the narrative of 19th and early 20th century opera. This book shines a light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled doomed women onstage before an audience. |
|
|
|
|
|
|
|
| |