|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910154304803321 |
|
|
Autore |
Sánchez Rafael <1950-> |
|
|
Titolo |
Dancing Jacobins : a Venezuelan genealogy of Latin American populism / / Rafael Sánchez |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York : , : Fordham University Press, , 2016 |
|
|
|
|
|
|
|
ISBN |
|
0-8232-6888-8 |
0-8232-6418-1 |
|
|
|
|
|
|
|
|
Edizione |
[First edition.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (405 p.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Populism - Venezuela - History |
Crowds - Political aspects - Venezuela - History |
Presidents - Venezuela |
Politicians - Venezuela - History |
Public relations and politics - Venezuela - History |
Political culture - Venezuela - History |
Populism - Latin America - History |
Venezuela Politics and government 1999- |
Latin America Politics and government |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Introduction: Populist Governmentality -- Overture -- Archeologies -- Bullying for Independence -- Statues and Statutes -- Theater for the Masses -- Monumental Governmentality -- The French Repertoire -- Scenes of the Imaginary I : The Fragile Collection -- Scenes of the Imaginary II : Bolívar Superstar -- The (Bolivarian) People is in the Army -- Conclusion: "In my image and likeness". |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
"This long-awaited book presents an insightful and at the same time rollicking account of the Latin American populist form the author terms 'monumental governmentality.' It combines a theatricalizing of political leaders to a sometimes absurdly gigantic and statesque extent with those leaders' antic efforts to effectuate their political power through a syncopated, winking, salsa-like personal style that appeals directly to the mass audience. Venezuela's Hugo Chavez is the prime example, |
|
|
|
|