1.

Record Nr.

UNINA9910150190403321

Autore

Stevens Kirsten

Titolo

Australian Film Festivals [[electronic resource] ] : Audience, Place, and Exhibition Culture / / by Kirsten Stevens

Pubbl/distr/stampa

New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2016

ISBN

1-137-58130-1

Edizione

[1st ed. 2016.]

Descrizione fisica

1 online resource (XI, 270 p. 11 illus., 9 illus. in color.)

Collana

Framing Film Festivals

Disciplina

791.43079

Soggetti

Motion pictures

Australasia

Culture

Motion pictures—History

Communication

Australasian Cinema and TV

Australasian Culture

Film History

Media and Communication

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

List of Illustrations -- List of Abbreviations -- Introduction -- 1.Enthusiastic Amateurs: Origins of Australia’s film festival movement -- 2.Growth and Change: Curator-led festivals, fragmenting audiences and shifting film exhibition cultures -- 3. From Film Weeks to Festivals: The spread of the urban film festival after 1980 -- 4. Between Success and Failure: Crisis and recovery at the Melbourne International Film Festival -- 5. Programming Perceptions: Film festivals and the construction of taste -- 6. A Festival for Every Occasion: Niche programming, event culture and vertically integrated film festivals -- Conclusion -- Appendix 1: Early Melbourne and Sydney Film Festival programs -- Appendix 2: Summary of film exhibition and film culture activities, 1949-1990 -- Appendix 3: Film Festivals in Melbourne, 1949-2000 -- Appendix 4: Melbourne and Sydney Film Festivals -- Archives and Research Collections -- Bibliography.



Sommario/riassunto

This is the first book to offer an in-depth examination of the history, operation, and growth of film festivals as a cultural phenomenon within Australia. Tracing the birth of film festivals in Australia in the 1950s through to their present abundance, it asks why film festivals have prospered as audience-driven spectacles throughout Australia, while never developing the same industry and market foci of their international fellows. Drawing on over sixty-years of archival records, festival commentary, interviews with festival insiders and ephemera, this book opens up a largely uncharted history of film culture activity in Australia. .