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1. |
Record Nr. |
UNINA9910149696503321 |
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Autore |
Yalsızuçanlar Sadık <1962-> |
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Titolo |
Kalpteki akıl : Risale-i Nur üzerine düşünceler / / Sadık Yalsızuçanlar |
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Pubbl/distr/stampa |
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İstanbul : Nesil Yayınları |
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ISBN |
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Soggetti |
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Nurculuk |
Muslim scholars - Turkey |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISALENTO991001033809707536 |
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Autore |
IPS Group |
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Titolo |
Introduzione alla scienza fisica / Introductory Physical Science Group ; U. Haber-Schaim...[et al.] ; trad. it. di M. Ferretti |
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Pubbl/distr/stampa |
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Bologna : Zanichelli, [1971-] |
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Descrizione fisica |
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Classificazione |
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Altri autori (Persone) |
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Haber-Schaim, Uri |
Ferretti, Maria |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910964338003321 |
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Titolo |
Textual & visual selves : photography, film, and comic art in French autobiography / / edited by Natalie Edwards, Amy L. Hubbell, and Ann Miller |
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Pubbl/distr/stampa |
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Lincoln [Neb.], : University of Nebraska Press, c2011 |
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ISBN |
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9786613592996 |
9781280497766 |
1280497769 |
9780803237995 |
0803237995 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (286 p.) |
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Altri autori (Persone) |
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EdwardsNatalie |
HubbellAmy L |
MillerAnn <1949 Sept. 1-> |
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Disciplina |
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Soggetti |
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French prose literature - History and criticism |
Authors, French - Biography - History and criticism |
Art in literature |
Autobiography - Authorship |
Visual perception in literature |
Literature and photography - France |
Self in literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; Introduction: Textual and Visual Selves; 1. Beyond Autobiography; 2. Chronicles of Intimacy: Photography in Autobiographical Projects; 3. The Absent Body: Photography and Autobiography in Hélène Cixous's Photos de racines and Annie Ernaux andMarc Marie's L'Usage de la photo; 4. The Photobiographical Today: Signs of an Identity Crisis?; 5. Reclaiming the Void: The Cinematographic Aesthetic of Marguerite Duras's Autobiographical Novels |
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6. Illustration Revisited: Phototextual Exchange and Resistance in Sophie Calle's Suite vénitienne7. Viewing the Past through a "Nostalgeric" Len s: Pied-Noir Photodocumentaries; 8. Georges Perec, Memory, and Photography; 9. The Self-Portrait in French Cinema: Reflections on Theory and on Agnès Varda'sLes Glaneurs et la glaneuse; 10. Autobiography in Bande Dessinée; Contributors; Index |
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Sommario/riassunto |
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Autobiography in France has taken a decidedly visual turn in recent years: photographs, shown or withheld, become evidence of what was, might have been, or cannot be said; photographers, filmmakers, and cartoonists undertake projects that explore issues of identity. Textual and Visual Selves investigates, from a variety of theoretical perspectives, the ways in which the textual and the visual combine in certain French works to reconfigure ideas-and images-of self-representation.Surprisingly, what these accounts reveal is that photography or film does not necessarily serve to shore up the refer |
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