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1. |
Record Nr. |
UNINA9910148846403321 |
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Autore |
Ginsberg Terri |
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Titolo |
Visualizing the Palestinian Struggle : Towards a Critical Analytic of Palestine Solidarity Film / / by Terri Ginsberg |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2016 |
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ISBN |
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Edizione |
[1st ed. 2016.] |
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Descrizione fisica |
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1 online resource (XI, 157 p. 8 illus. in color.) |
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Collana |
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Global Cinema, , 2634-5951 |
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Disciplina |
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Soggetti |
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Motion pictures—Asia |
Ethnology—Middle East |
Middle East—Politics and government |
Asian Cinema and TV |
Middle Eastern Culture |
Middle Eastern Politics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references, filmographies and index. |
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Nota di contenuto |
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Introduction – Modalities of Solidarity -- Chapter One – After Al-Aqsa -- Chapter Two – Revisiting Prior Commitments -- Chapter Three – Distant Neighbors -- Conclusion – A Time for Change. |
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Sommario/riassunto |
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This book offers a much-needed focus on Palestine solidarity films, supplying a critical theoretical framework whose intellectual thrust is rooted in the challenges facing scholars censored for attempting to rectify and reverse the silencing of a subject matter about which much of the world would remain uninformed without cinematic and televisual mediation. Its innovative focus on Palestine solidarity films spans a selected array of works which began to emerge during the 1970s, made by directors located outside Palestine/Israel who professed support for Palestinian liberation. Visualizing the Palestinian Struggle analyzes Palestinian solidarity films hailing from countries such as Canada, the United Kingdom, Egypt, Iran, Palestine/Israel, Mexico, and the United States. Visualizing the Palestinian Struggle is an effort to insist, constructively, upon a rectification and reversal of the glaring and disproportionate minimization and distortion of discourse critical of |
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Zionism and Israeli policy in the cinematic and televisual public sphere. |
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