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Record Nr. |
UNINA9910143197403321 |
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Autore |
Kuehni Rolf G |
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Titolo |
Color space and its divisions [[electronic resource] ] : color order from antiquity to the present / / Rolf G. Kuehni |
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Pubbl/distr/stampa |
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Hoboken, N.J., : Wiley-Interscience, c2003 |
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ISBN |
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1-280-36686-9 |
9786610366866 |
0-470-23540-3 |
0-471-46146-6 |
0-471-43226-1 |
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Descrizione fisica |
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1 online resource (440 p.) |
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Disciplina |
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Soggetti |
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Color vision |
Colors |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 375-398) and index. |
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Nota di contenuto |
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Color Space and Its Divisions; Contents; Preface; Chapter 1. The Concept of Color Space and Color Solid; 1.1 Introduction; 1.2 Divisions of Color Spaces and Solids; 1.3 Uniform and Regular Color Spaces; 1.4 Color Space, Sensation, Perception, and Awareness; 1.5 Plan of the Book; Chapter 2. Historical Development of Color Order Systems; 2.1 Color and Color Order Systems; 2.2 From Ancient Greece to the Middle Ages; 2.3 Color Order in the Renaissance; 2.4 Newton's Color Diagram; 2.5 Development of the Color Circle; 2.6 Mayer and Lambert's Color Solids; 2.7 Color Circles from Harris to Henry |
2.8 Three Primary Color Theories2.9 Runge's Color Sphere; 2.10 The Cylindrical System of Matthias Klotz; 2.11 The Early Development of Psychophysics; 2.12 Chevreul's Hemispheric System; 2.13 Doppler's Sphere Octant; 2.14 Yellow, Red and Blue, For a Time Firmly Established as Primary Colors; 2.15 Helmholtz, Grassmann, and Maxwell; 2.16 Hering; 2.17 Geometrical Systems of the Nineteenth Century; 2.18 The Nineteenth-Century Experimental Psychologists; 2.19 The Munsell |
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System; 2.20 Ridgeway's Color Atlas; 2.21 Ostwald's Farbkörper (Color Solid); 2.22 Geometrical Systems of the Twentieth Century |
2.23 Rösch-MacAdam Color Solid2.24 The Luther-Nyberg Color Solid; 2.25 The German DIN6164 System; 2.26 Optical Society of America Uniform Color Scales; 2.27 Swedish Natural Color System; 2.28 Universal Color Language; 2.29 Color Mixing Spaces; 2.30 Spectral Spaces; Chapter 3. Psychophysics; 3.1 Fundaments of Psychophysics; 3.2 Categories; 3.3 Differences versus Magnitudes; 3.4 Psychophysical Scaling: Levels of Measurement; 3.5 Scaling Methods; 3.6 Unidimensional Scaling Methods; 3.7 Psychometric Function; 3.8 Multidimensional Scaling; 3.9 Psychological and Psychophysical Spaces |
3.10 Psychophysical Scaling as a Basis of Color SpaceChapter 4. Color Attributes and Perceptual Attribute Scaling; 4.1 Theories of Vision; 4.2 Historical Development of Views on Attributes; 4.3 Whiteness and Blackness; 4.4 Evans's Five Color Attributes; 4.5 Common Color Attribute Definitions; 4.6 Confirmation of Three Attributes; 4.7 Contrast versus Similitude; 4.8 Neural Correlates of Color Attributes; 4.9 Psychological (Perceptual) Scaling of Color Attributes; 4.10 Perception of Color Differences; Chapter 5. Psychophysical Scaling of Color Attributes: Stimulus and Perception |
5.1 Requirements for a Uniform Psychophysical Color Space5.2 Postulated Relationship between Psychological and Physical Magnitudes; 5.3 Photometry and Brightness/Lightness; 5.4 The Colorimetric System; 5.5 Cone Response Space; 5.6 Opponent Color Space; 5.7 How Are the L, M, S and X, Y, Z Color Spaces Related?; 5.8 Expressing Psychological Scales in Psychophysical Spaces; 5.9 Color Matching and Appearance Scaling; 5.10 Placement of the Red and Green Unique Hues in the Opponent Color Diagram; 5.11 Curvature of Lines of Constant Hue Blue Colors |
5.12 Munsell Colors in the L, M, S and X, Y, Z Spaces and the a, b Diagram |
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Sommario/riassunto |
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It has been postulated that humans can differentiate between millions of gradations in color. Not surprisingly, no completely adequate, detailed catalog of colors has yet been devised, however the quest to understand, record, and depict color is as old as the quest to understand the fundamentals of the physical world and the nature of human consciousness. Rolf Kuehni's Color Space and Its Divisions: Color Order from Antiquity to the Present represents an ambitious and unprecedented history of man's inquiry into color order, focusing on the practical applications of the most contemporary develo |
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