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1. |
Record Nr. |
UNINA990003320160403321 |
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Autore |
Greaves, C.desmond |
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Titolo |
Sean O'Casey, politics and art / by C. Desmond Greaves |
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Pubbl/distr/stampa |
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Descrizione fisica |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910957696803321 |
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Titolo |
Pragmatic markers and pragmaticalization : lessons from false friends / / edited by Peter Lauwers, Gudrun Vanderbauwhede and Stijn Verleyen |
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Pubbl/distr/stampa |
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Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., 2012 |
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ISBN |
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9781283902328 |
128390232X |
9789027273703 |
9027273707 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (166 p.) |
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Collana |
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Benjamins Current Topics ; ; 44 |
Benjamins current topics, , 1874-0081 ; ; v. 44 |
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Altri autori (Persone) |
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LauwersPeter |
VanderbauwhedeGudrun |
VerleyenStijn |
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Disciplina |
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Soggetti |
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Pragmatics |
Discourse markers |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Pragmatic Markers and Pragmaticalization; Editorial page; Title page; LCC data; Table of contents; How false friends give true hints about pragmatic markers; 1. Definition and delineation of the topic; 2. State of the art; 3. The relevance of the study of cognates; 3.1 Descriptive challenges; 3.2 Relevance to linguistic typology; 3.3 Relevance to the study of grammaticalization and pragmaticalization; 4. Summary; Note; References; Semantic change; 1. Introduction; 2. Current debates on the evolution of hedging particles; 2.1 Terminological preliminaries; 2.2 Traugott and Dasher's (2002) IITSC |
2.3 Grammaticalisation or pragmaticalisation?2.4 Formal factors and the syntactic nature of the source; 2.5 The role of persistence; 2.6 An ecology of competing terms; 3. The pragmaticalisation of 'effectively' and finalement; 3.1 Methodology: Corpora of spontaneous spoken French and English; 3.2 Effectivement and 'effectively'; 3.2.1 French effectivement; 3.2.2 English 'effectively'; 3.3 'Finally' and finalement; 3.3.1 The 'summing up' sense of finalement; 3.3.2 The hedging use of finalement; 4. Towards a cross-linguistic semantic map; 4.1 Persistence; 4.2 Degrees of pragmaticalisation |
4.3 Translation equivalence?5. Conclusions; Notes; References; Corpora; Degrees of pragmaticalization; 1. Research context and aims; 2. Methodology and theoretical framework; 3. Synchronic functions; 3.1 English 'actually'; 3.2 French actuellement; 3.3 Synchronic correspondences; 4. Diachronic development; 4.1 Earliest meanings: 13th-16th centuries; 4.2 Divergence: 17th and 18th centuries; 4.3 Most recent developments: 19th century-present; 5. Conclusions and theoretical implications; Notes; References; Corpora; "You're absolutely right!!"; 1. Structure of the article |
2. Preliminary considerations2.1 The meaning of 'absolutely' and absolutamente; 2.2 Comments to previous literature on stance adverbials and contrastive analysis; 2.3 Hypotheses on the contrastive analysis of 'absolutely' and absolutamente; 2.4 Description of the data; 3. The syntactic functions of 'absolutely' and absolutamente; 3.1 Modifiers of words; 3.2 Clausal constituents: Verbal Group-oriented Adjuncts and clause-oriented Adjuncts; 3.3 (Parts of) minor clauses; 4. Results of the quantitative analysis and discussion |
4.1 Frequencies of 'absolutely' and absolutamente in the BNC and the CREA4.2 'Absolutely' and absolutamente as modifiers of words; 4.2.1 Modifiers of adjectives; 4.2.2 Modifiers of adverbs; 4.2.3 Modifiers of pronouns; 4.2.4 Modifiers of prepositions; 4.2.5 Modifiers of determiners; 4.2.6 Modifiers of modal auxiliaries; 4.2.7 Modifiers of nouns; 4.3 'Absolutely' and absolutamente as clausal constituents; 4.3.1 VG-oriented adverbs; 4.3.2 Clause-oriented adverbs; 4.4 'Absolutely'/absolutamente as (parts of) minor clauses |
5. Maximal degree versus certainty: Similarity between the discourse functions of 'absolutely' and absolutamente and those of adverbs of certainty |
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Sommario/riassunto |
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In this paper, we investigate the evolution from imperatives to discourse markers in Romance, with a corpus-based approach. We focus on the case of items coming from verbs meaning 'to look', in a semasiological perspective: Spanish and Catalan mira, Portuguese olha, Italian guarda, French regarde, Romanian uite. We show that they all share many uses, among which turn-taking, introduction of reported speech, hesitation phenomenon, topic-shifting and modalization, except for French regarde. We then establish (against Waltereit, 2002) that the development |
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3. |
Record Nr. |
UNINA9910140822503321 |
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Autore |
Schafer D. Paul |
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Titolo |
Revolution or Renaissance : Making the Transition from an Economic Age to a Cultural Age / / D. Paul Schafer |
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Pubbl/distr/stampa |
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Les Presses de l’Université d’Ottawa | University of Ottawa Press, 2008 |
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Ottawa : , : University of Ottawa Press, , 2008 |
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©2008 |
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ISBN |
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9786613667564 |
9780776627182 |
077662718X |
9781280690624 |
1280690623 |
9780776617732 |
0776617737 |
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Descrizione fisica |
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1 online resource (ii, 303 pages) : illustrations |
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Collana |
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Governance series ; ; 16. |
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Disciplina |
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Soggetti |
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Business & Economics / Economics / Theory |
Social Science / Anthropology / Cultural & Social |
Economics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Sommario/riassunto |
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In Revolution or Renaissance, D. Paul Schafer subjects two of the most powerful forces in the world - economics and culture - to a detailed and historically sensitive analysis. He argues that the economic age has produced a great deal of wealth and unleashed tremendous productive power; however, it is not capable of coming to grips with the problems threatening human and non-human life on this planet. After tracing the evolution of the economic age from the publication of Adam Smith's The Wealth of Nations in 1776 to the present, he turns his attention to culture -- |
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