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1. |
Record Nr. |
UNINA990010042040403321 |
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Titolo |
Les grands fleuves du monde [Risorsa grafica] : documentations / texte et présentation de Pierre George ; documents photographiques de Desroches Noblecourt, Jacques Boyer |
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Pubbl/distr/stampa |
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Paris : éditions nouvelles pour l'enseignement, [195.] |
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Descrizione fisica |
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2 filmine : verticale, positiva, b/n., in scatolina di metallo |
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Lingua di pubblicazione |
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Formato |
Grafica |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA990009540440403321 |
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Autore |
Landolfo, Raffaele |
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Titolo |
Acciai industriali, prodotti e sistemi di unione / Raffaele Landolfo, Walter Salvatore |
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Pubbl/distr/stampa |
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Milano : Fondazione acciaio, c2011 |
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ISBN |
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Descrizione fisica |
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Altri autori (Persone) |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910140427703321 |
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Autore |
Honing Henkjan |
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Titolo |
The illiterate listener : on music cognition, musicality and methodology / / Henkjan Honing |
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Pubbl/distr/stampa |
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Amsterdam, Netherlands : , : Vossiuspers UvA is an imprint of Amsterdam University Press, , [2011] |
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©2011 |
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Descrizione fisica |
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1 online resource (25 pages) : illustrations; digital, PDF file(s) |
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Disciplina |
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Soggetti |
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Musicology |
Music - Physiological aspects |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Sommario/riassunto |
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We have known for some time that babies possess a keen perceptual sensitivity for the melodic, rhythmic and dynamic aspects of speech and music: aspects that linguists are inclined to categorize under the term ‘prosody’, but which are in fact the building blocks of music. Only much later in a child’s development does he make use of this ‘musical prosody’, for instance in delineating and subsequently recognizing word boundaries. In this essay Henkjan Honing makes a case for ‘illiterate listening’, the human ability to discern, interpret and appreciate musical nuances already from day one, long before a single word has been uttered, let alone conceived. It is the preverbal and preliterate stage that is dominated by musical listening. |
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