1.

Record Nr.

UNINA9910140192903321

Autore

Pigott Michael

Titolo

Joseph Cornell versus cinema / / Michael Pigott

Pubbl/distr/stampa

London : , : Bloomsbury Academic, , 2013

ISBN

9781472544728

1472544722

9781472503527

147250352X

9781472503534

1472503538

Descrizione fisica

1 online resource (145 pages) : illustrations; digital, PDF file(s)

Collana

The WISH List

Disciplina

791.43023092

791.430233092

Soggetti

Art and motion pictures

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; Editorial Preface; Acknowledgements; List of Illustrations; Where to Find Cornell's Films; Introduction; Silence; The Cornellian Century; Joseph Cornell versus Marcel Duchamp; CHAPTER ONE Found Footage; Tom Tom the Piper's Son; Return to the Scene of the Crime; Rose Hobart; An Aside on Sound; The Pleasures of Not Reading the Illegible; The Legible Image; 'Intention' as Aesthetic Component - The Illegible Exam Script; Found Footage and Interpretation; Illegibility and Play; CHAPTER TWO Texture and Affect

Haptic Visuality: A Short History of IntimacyHaptics and Politics; Forking Paths - Schmarsow and Riegl; By Night With Torch And Spear; Moloch: Technology and Darkness; Joseph Cornell versus Cinephilia; CHAPTER THREE Time and the Everyday; Sleep; Dream; Cornell versus Surrealism; Cornell the Flâneur; Real Time; Frames, Morphing and Activity; Faster than Real Time; Silence on Spotify; Mapping; Slow Cinema; Angel and A Legend for Fountains; Conclusion - The Self as Everyday Object; Notes; Filmography; Bibliography; Index



Sommario/riassunto

Joseph Cornell is one of the most significant American artists of the twentieth century. His work is highly visible in the the world's most prestigious galleries, including the Tate Modern and MOMA. His famous boxes and his collage work have been admired and widely studied.However, Cornell also produced an extraordinary body of film work, a serious contribution to 20th-century avant-garde cinema, and this has been much less examined.In this book, Michael Piggott makes the case for the significance of Joseph Cornell's films. This is an important contribution to our knowledge of twentieth century culture for scholars and students of film and art history and American studies and for all those interested in pop culture, celebrity and fandom.