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Record Nr. |
UNINA9910140023203321 |
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Titolo |
Mind the screen : media concepts according to Thomas Elsaesser / / edited by Jaap Kooijman, Patricia Pisters and Wanda Stauven |
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Pubbl/distr/stampa |
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Amsterdam, : Amsterdam University Press, c2008 |
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ISBN |
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9786612387340 |
9781282387348 |
1282387340 |
9789048506460 |
9048506468 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (375 p.) |
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Altri autori (Persone) |
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PistersPatricia |
StrauvenWanda |
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Disciplina |
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Soggetti |
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Film criticism |
Mass media criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Table of Contents; A Looking Glass for Old and New Screens; ACT I: Melodrama, Memory, Mind Game; Cinephilia in Transition; Theorizing Melodrama; Of Surfaces and Depths; Failed Tragedy and Traumatic Love in IngmarBergman's Shame; Mediated Memories; Running on Failure; Into the Mind and Out to the World; A Critical Mind; Intermezzo: Scholars, Dreams, and Memory Tapes; ACT II: Europe-Hollywood-Europe; The Cheetah of Cinema; Bear Life; Constitutive Contingencies; Lili and Rachel; Amsterdamned Global Village; Soundtracks of Double Occupancy; Hollywood Face to Face with the World |
To Be or Not to Be Post-ClassicalBumper Stories; Intermezzo "Where Were You When ...?" or "I Phone,Therefore I Am"; ACT III: Archaeology, Avant-Garde, Archive; Reflections in a Laserdisc; S/M; Consumer Technology after Surveillance Theory; Migratory Terrorism; The Echo Chamber of History; Displacing the Colonial Archive; Found Footage, Performance, Reenactment; Digital Convergence Ten Years Later; Notes on Contributors; Key Publications by Thomas Elsaesser |
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Sommario/riassunto |
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Mind the Screen pays tribute to Thomas Elsaesser, pioneering and leading scholars in the field of film and media studies. The contributions present a close-up of media concepts developed by Elsaesser, providing a looking glass for all types of audio-visual screens, from archaeological pre-cinematic screens to the silver screen, from the TV-set to the video installation and the digital e-screen, and from the city screen to the mobile phone display. The book is divided in three 'Acts': Melodrama, Memory, Mind Game; Europe-Hollywood-Europe; Archaeology, Avant-Garde, Archive. Between the Acts Inte |
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