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Record Nr. |
UNINA9910139167703321 |
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Autore |
Schur Richard L. |
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Titolo |
Parodies of ownership : hip-hop aesthetics and intellectual property law / / Richard L. Schur |
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Pubbl/distr/stampa |
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Ann Arbor : , : University of Michigan Press, , c2009 |
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ISBN |
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9786613011596 |
9781283011594 |
128301159X |
9780472024490 |
0472024493 |
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Descrizione fisica |
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1 online resource (xiv, 236 pages) : digital file(s) |
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Classificazione |
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MUS031000SOC000000SOC001000 |
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Disciplina |
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Soggetti |
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African Americans in popular culture |
African Americans - Legal status, laws, etc |
Hip-hop - Influence |
Intellectual property - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Intro -- Contents -- 1. From Chattel to Intellectual Property: Legal Foundations of African American Cultural Critique -- 2. Critical Race Theory, Signifyin', and Cultural Ownership -- 3. Defining Hip-Hop Aesthetics -- 4. Claiming Ownership in the Post-Civil Rights Era -- 5. "Fair Use" and the Circulation of Racialized Texts -- 6. "Transformative Uses": Parody and Memory -- 7. From Invisibility to Erasure? The Consequences of Hip-Hop Aesthetics -- Notes -- Bibliography -- Index. |
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Sommario/riassunto |
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An intriguing interdisciplinary examination of hip hop aesthetics. |
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