|
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910139091603321 |
|
|
Titolo |
A companion to Eastern European cinemas [[electronic resource] /] / edited by Anikó Imre |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Chichester, U.K. ; ; Malden, Mass., : Wiley-Blackwell, 2012 |
|
|
|
|
|
|
|
ISBN |
|
1-118-29435-1 |
1-118-29438-6 |
1-78268-452-2 |
1-118-29437-8 |
1-283-54961-1 |
9786613862068 |
1-118-29434-3 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (523 p.) |
|
|
|
|
|
|
Collana |
|
The Wiley-Blackwell companions to national cinemas |
|
|
|
|
|
|
Altri autori (Persone) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Motion pictures - Europe, Eastern |
Cinematografia |
Llibres electrònics |
Europa de l'Est |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Introduction: Eastern European cinema from no end to the end (as we know it) / Anikó Imre -- New theoretical and critical frameworks. Body horror and post-socialist cinema: Gyorgy Polfis Taxidermia / Steven Shaviro -- El perro negro: transnational readings of database documentaries from Spain / Marsha Kinder -- Did somebody say Communism in the classroom? or, the value of analyzing totality in recent Serbian cinema / Zoran Samardzija -- Laughing into an abyss: cinema and Balkanization / Kriss Ravetto-Biagioli -- Jewish identities and generational perspectives / Catherine Portuges -- Aftereffects of 1989: Corneliu Porumboiu's 12:08 East of Bucharest (2006) and Romanian cinema / Alice Bardan -- Cinema beyond borders: Slovenian cinema in a world context / Meta Mazaj and Shekhar Deshpande -- Historical and spatial redefinitions. Center and periphery, or how Karel |
|
|
|
|
|
|
|
|
|
|
|
Vachek formed a new government / Alice Lovejoy -- The Polish black series documentary and the British Free Cinema movement / Bjorn Sorenssen -- Socialists in outer space: East German film's Venusian adventure / Stefan Soldovieri -- Red Shift: new Albanian cinema and its dialogue with the old / Bruce Williams -- National space, (trans)national cinema: Estonian film in the 1960s / Eva Näripea -- For the peace, for a new man, for a better world! Italian leftist culture and Czechoslovak cinema, 1945-1968 / Francesco Pitassio -- Aesthetic (re)visions. The impossible Polish new wave and its accursed Émigré auteurs: Borowczyk, Polanski, Skolimowski and Zulawski / Michael Goddard -- Documentary and industrial decline in Hungary: the "zd Series" of Tamás Almási / John Cunningham -- Investigating the past, envisioning the future: an exploration of post-1991 Latvian documentary / Maruta Z. Vitols -- East European historical epics: genre cinema and the visualization of a heroic national past / Nikolina Dobreva -- Nation, gender and history in Latvian genre cinema / Irina Novikova -- A comparative study: Rein Raamat's Big tõll and Priit Pärn's Luncheon on the grass / Andreas Trossek -- Yugoslav black wave: the history and poetics of polemical cinema in the 60s and 70s in Yugoslavia / Greg DeCuir, Jr. -- Industries and institutions. Follow the money: financing contemporary cinema in Romania / Ioana Uricaru -- An alternative model of film production: film units in Poland after WWII / Dorota Ostrowska -- The Hussite heritage film: a dream for all Czech seasons / Petra Hanukovu -- International coproductions as productions of heterotopias / Ewa Mazierska -- East is East? new Turkish cinema and Eastern Europe / Melis Behlil. |
|
|
|
|
|
|
Sommario/riassunto |
|
A Companion to Eastern European Cinemas showcases twenty-five essays written by established and emerging film scholars that trace the history of Eastern European cinemas and offer an up-to-date assessment of post-socialist film cultures. Showcases critical historical work and up-to-date assessments of post-socialist film cultures Features consideration of lesser known areas of study, such as Albanian and Baltic cinemas, popular genre films, cross-national distribution and aesthetics, animation and documentary Places the cinemas of the region in a European and |
|
|
|
|
|
|
|
| |