1.

Record Nr.

UNINA9910138854903321

Titolo

Introduction to audiovisual archives / / editor, Peter Stockinger

Pubbl/distr/stampa

London : , : ISTE Ltd

Hoboken, N.J. : , : John Wiley & Sons, Inc., , 2012

ISBN

1-118-56204-6

1-118-56620-3

1-118-56627-0

1-299-18897-4

Edizione

[First edition]

Descrizione fisica

1 online resource (309 pages) : illustrations

Collana

ISTE

Altri autori (Persone)

StockingerPeter

Disciplina

025.3/47

Soggetti

Audio-visual archives

Audio-visual materials

Research - Methodology

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p. [281]-284) and index.

Nota di contenuto

Context and issues / Peter Stockinger, Elisabeth de Pablo, Francis Lemaitre -- Part 1. The segmentation and description workshops for audiovisual corpora -- The segmentation workshop for audiovisual resources / Elisabeth de Pablo -- Description workshop for audiovisual corpora / Muriel Chemouny -- Analysis of the audiovisual expression / Elisabeth de Pablo and Jirasri Deslis -- Analysis of the audiovisual content / Peter Stockinger -- Uses of an audiovisual resource / Muriel Chemouny, Primuda Sakunthabai -- Model of an audiovisual publication in the form of a Web portal / Jirasri Deslis -- Part 2. Technological environment, development, and new perspectives -- The ASW digital environment / Francis Lemaitre -- The ASW Studio / Francis Lemaitre -- The technical development of the "Web portal" publishing model / Richard Guerinet.

Sommario/riassunto

Today, audiovisual archives and libraries have become very popular especially in the field of collecting, preserving and transmitting cultural heritage. However, the data from these archives or libraries - videos, images, sound tracks, etc. - constitute as such only potential cognitive resources for a given public (or "target community"). They have to



undergo more or less significant qualitative transformations in order to become user- or community-relevant intellectual goods.These qualitative transformations are performed through a series of concrete operations such as: audiovisual text