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1. |
Record Nr. |
UNIBAS000011848 |
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Autore |
Silverman, Joseph H |
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Titolo |
Advanced topics in the arithmetic of elliptic curves / Joseph H. Silverman |
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Pubbl/distr/stampa |
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New York [etc.] : Springer, c1994 |
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ISBN |
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Descrizione fisica |
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XIII, 525 p. : ill. ; 25 cm. |
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Collana |
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Graduate texts in mathematics ; 151 |
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Disciplina |
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Soggetti |
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Curve algebriche |
Aritmetica |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910137088103321 |
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Autore |
Hassinger Philipp |
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Titolo |
Zwischen Evolution und Revolution : Der Werkstoffwandel im Flugzeugbau / / Philipp Hassinger |
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Pubbl/distr/stampa |
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Karlsruhe, : KIT Scientific Publishing, 2017 |
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ISBN |
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Descrizione fisica |
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1 online resource (340 p.) |
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Collana |
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Technikdiskurse : Karlsruher Studien zur Technikgeschichte / Hrsg.: Karlsruher Institut für Technologie, Fak. für Geistes- u. Sozialwiss., Inst. für Geschichte, Abt. Technikgeschichte |
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Altri autori (Persone) |
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Soggetti |
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History & Philosophy Of Science |
Multidisciplinary |
Flugzeug |
Luftfahrt |
Werkstoffe |
Flugzeugbauer |
Luftschiff |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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„So you're telling me that people used to make airplanes out of wood? - out of lumber! I don't believe you, you're kidding me.“ Frühe Fluggeräte, ob schwerer oder leichter als Luft, bestanden aus Materialien, die uns heute im besten Fall als ungeeignet erscheinen. Bambus und Stoff weckten aber auch das Misstrauen der frühen Flugzeugbauer und -nutzer. Das revolutionäre Technologiesystem Flugzeug sollte von jeher aus den modernsten Materialien bestehen, ganz gleich ob sie immer wirklich die geeignetsten waren. Dieses Dogma hat bis heute nichts an Gültigkeit verloren. Und bis heute verursacht dieser Zwang zu den aktuellsten Materialien oft mehr Probleme als er löst. Das Beispiel Flugzeugbau bietet interessante Antworten auf die Frage, warum sich Technologien durchsetzen bzw. eben nicht durchsetzen. Es beweist, wie entscheidend und unterschätzt |
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der Einfluss des Nutzers auf die Entwicklung einer Technologie ist. |
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3. |
Record Nr. |
UNINA9910723700103321 |
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Autore |
Allbritton Dean |
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Titolo |
Feeling Sick : The Early Years of AIDS in Spain |
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Pubbl/distr/stampa |
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Liverpool : , : Liverpool University Press, , 2023 |
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©2023 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (224 pages) |
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Collana |
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Contemporary Hispanic and Lusophone Cultures Series ; ; v.28 |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Cover -- Contents -- Acknowledgments -- Introduction: Feeling Sick -- 1 Origins -- 2 Bad Blood -- 3 Perverts and Sickos -- 4 Into the Ruins -- Conclusion: The Plague of the Twentieth Century -- Bibliography -- Index. |
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Sommario/riassunto |
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An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM.The earliest traceable accounts of the AIDS outbreak in Spain began to emerge during its political transition to democracy, with small clusters of cases appearing as early as 1981. HIV/AIDS would go on to shape Spain throughout its pivotal period as a fledgling democracy, underpinning the cultural explosions of the Movida, a sharp rise in intravenous drug use, and the struggles of a coalescing LGBT+ community. Feeling Sick: The Early Years of HIV/AIDS in Spain examines the cultural history of these early years of HIV/AIDS in Spain as it has been told through television and print media, ephemeral products of visual culture, fiction film, and the so-called risk groups that lived through the epidemic. The book draws on the work of Raymond Williams to characterize this emergent period within a structure of "feeling sick" and thus defined by discordant voices, |
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disagreement, and meaning-making in a period of history in formation. Through close readings of Spanish visual culture and media alongside analysis of historical and medical documents, it asserts that a structure of feeling sick begins to coalesce around the emergence of HIV/AIDS and traces out a distinctive sense of living through history as it unfolds. By critically evaluating a selection of cultural materials, this book claims that the earliest years of the HIV/AIDS epidemic in Spain reveal common fears about global connectivity, the proliferation of vulnerable ties to others, and the potential of cultural and physical contaminations. Ultimately, Feeling Sick challenges the dominant narratives in which life and disease are seen as separate and unequal, and in which illness is only destructive and devastating. |
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