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1. |
Record Nr. |
UNINA990000523320403321 |
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Autore |
Andreas, John C. |
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Titolo |
Energy-efficient electric motors : selection and application / John C. Andreas |
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ISBN |
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Descrizione fisica |
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Collana |
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Electrical engineering and electronics ; 78 |
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Locazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910136421803321 |
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Autore |
Green Charles <1953-> |
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Titolo |
Biennials, triennials, and documenta : the exhibitions that created contemporary art / / Charles Green and Anthony Gardner |
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Pubbl/distr/stampa |
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Chichester, West Sussex, United Kingdom : , : John Blackwell, , 2016 |
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ISBN |
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1-4443-3665-7 |
1-119-21267-7 |
1-119-21266-9 |
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Edizione |
[1] |
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Descrizione fisica |
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1 online resource (280 p.) |
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Classificazione |
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Disciplina |
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Soggetti |
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Art and globalization - History - 20th century |
Art and globalization - History - 21st century |
Biennials - History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontispiece; Title Page; Copyright; Preface; Introduction; Why Biennials?; Part 1. The Second Wave; Part 2. The Politics of Legitimacy; Part 3. Hegemony or a New Canon; The Cultural Geography of Biennials; Notes; Part 1: The Second Wave; 1: 1972: The Rise of the Star-Curator; Introduction; Preparation for a Walk-Through Event Structure; "Therapy Has Changed and No Longer Encourages Copious Art Production"; "The Most Important Exhibition of Recent Years"; Conclusion; Notes; 2: 1979: Cultural Translation, Cultural Exclusion, and the Second Wave |
Introduction: Biennials as Models for Cultural EncountersFounding the Sydney Biennale; White Elephant or Red Herring? Selecting the 1979 Biennale of Sydney; Import/Export: Sydney and São Paulo; Conclusion; Notes; 3: 1986: The South and the Edges of the Global; Introduction: Origin Stories; A Brief History of Southern Biennials; The Second Bienal de La Habana; Conclusion: The Stakes of Southern Histories; Notes; Part 2: The Politics of Legitimacy; 4: 1989: Asian Biennialization; Introduction; Experimental Versus Traditional Art: "Traditions/Tensions"; Conclusion; Notes |
5: 1997: Biennials, Migration, and ItinerancyIntroduction; Manifesta and |
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Critical Regionalism; Locality Fails: The 2nd Johannesburg Biennale; By Way of Conclusion: The Emergency Biennale in Chechnya; Notes; Part 3: Hegemony or a New Canon; 6: 2002: Cosmopolitanism; Introduction; The Five-Year Subaltern Plan; Black Box, White Cube; Conclusion; Notes; 7: 2003: Delegating Authority; Introduction; Tirana: "Opening Up the Conversation"; Escape; Curating by Delegation: The 50th Venice Biennale: The Dictatorship of the Viewer; "Counterbalance the Decadence of the Ancient City" |
"Outmoded Structure of National Pavilions and Theme Exhibitions"Conclusion; Notes; 8: 2014: Global Art Circuits; Introduction; The Game of Comparison and Competition; Negotiated Inequality; Contemporary Play Time; Coda: 2014; Notes; 9: Conclusion; Notes; Index; EULA |
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Sommario/riassunto |
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"Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s and the emergence of mega-exhibitions in Asia in the 1990s to the current globalization of biennials"-- |
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