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1. |
Record Nr. |
UNINA9910136060603321 |
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Titolo |
Chronic disease notes & reports |
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Pubbl/distr/stampa |
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Atlanta, Ga., : Centers for Disease Control and Prevention |
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Descrizione fisica |
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volumes : digital, PDF files |
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Soggetti |
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Chronic diseases - United States |
Chronic Disease |
Chronic diseases |
Periodicals. |
United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Periodico |
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Note generali |
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No longer distributed to depository libraries in physical form, 2000- |
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2. |
Record Nr. |
UNINA9910166653203321 |
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Autore |
Moehn Frederick <1964-> |
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Titolo |
Contemporary Carioca : technologies of mixing in a Brazilian music scene / / Frederick Moehn |
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Pubbl/distr/stampa |
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Durham, : Duke University Press, 2012 |
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ISBN |
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9786613664273 |
9781280687334 |
1280687339 |
9780822394884 |
082239488X |
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Descrizione fisica |
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1 online resource (318 p.) |
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Disciplina |
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781.640981/09049 |
781.64098109049 |
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Soggetti |
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Popular music - Brazil - History and criticism |
Sound - Recording and reproducing - Digital techniques |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Marcos Suzano : a Carioca blade runner -- Lenine : pernambuco speaking to the world -- Pedro Luís and the wall : Tupy Astronauts -- Fernanda Abreu : garota carioca -- Paulinho Moska : difference and repetition -- On cannibals and chameleons -- Appendix 1: a note about interviews, with a list of interviews cited -- Appendix 2: introductory aspects of Marcos Suzano's pandeiro method. |
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Sommario/riassunto |
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The ethnomusicologist Frederick Moehn introduces a generation of Rio-based musicians who build on the música popular brasileira (MPB) of previous decades, but who have yet to receive scholarly attention. This generation, the ""children of the dictatorship,"" reinvigorated Brazilian genres such as samba and maracatu through juxtaposition with international influences, including rock, techno, and funk. Moehn offers vivid depictions of Rio musicians as they creatively combine and reconcile local realities with global trends and exigencies. |
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