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1. |
Record Nr. |
UNINA9910455356503321 |
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Autore |
Glavin John |
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Titolo |
After Dickens : reading, adaptation and performance / / John Glavin [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 1999 |
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ISBN |
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1-107-11588-4 |
0-521-03237-7 |
1-280-16190-6 |
0-511-11713-2 |
0-511-14943-3 |
0-511-30966-X |
0-511-48481-X |
0-511-05121-2 |
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Descrizione fisica |
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1 online resource (xiii, 226 pages) : digital, PDF file(s) |
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Collana |
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Cambridge studies in nineteenth-century literature and culture ; ; 20 |
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Disciplina |
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Soggetti |
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Performing arts - Great Britain - History - 19th century |
Performing arts in literature |
Stage adaptations |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references (p. 216-222) and index. |
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Nota di contenuto |
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; pt. I. Set up. ; 1. Dickens, adaptation and Grotowski. ; 2. ... as upon a theatre -- ; pt. II. Flashback. ; 3. ... to be a Shakespeare. ; 4. Exit: "the sanguine mirage" -- ; pt. III. Resolution. ; 5. How to do it. ; 6. Coda. |
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Sommario/riassunto |
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After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also identifies a rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute |
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adaptations. The book as a whole, therefore, offers a reading of Dickens through an unusual alliance between literary criticism and theatrical performance. |
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2. |
Record Nr. |
UNINA9910522563303321 |
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Autore |
Pinn Anthony B. |
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Titolo |
Interplay of things : religion, art, and presence together / / Anthony B. Pinn |
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Pubbl/distr/stampa |
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Durham : , : Duke University Press, , 2021 |
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ISBN |
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1-4780-2176-4 |
1-4780-9176-2 |
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Descrizione fisica |
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1 online resource (281 pages) |
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Classificazione |
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Disciplina |
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Soggetti |
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Art and religion - United States |
Religion and culture - United States |
African American art - Social aspects |
Art and race |
Performance art - Social aspects - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Things -- The art of placement -- Artistic expression of transience -- The "stuff" of performance -- The art of elimination -- Pieces of things -- "Captured" things -- Problem things. |
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Sommario/riassunto |
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"Drawing on literature along with the visual and performing arts, Anthony B. Pinn theorizes religion as a technology for interrogating human experiences understanding the ways in which things are always involved in processes of exchange and interplay."-- |
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3. |
Record Nr. |
UNINA9910131435503321 |
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Titolo |
The auk |
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Pubbl/distr/stampa |
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Boston, Mass., : Estes & Lauriat |
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ISSN |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Birds |
Ornithology |
Oiseaux |
Ornithologie |
Periodical |
periodicals. |
Periodicals. |
Périodiques. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Periodico |
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Note generali |
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Refereed/Peer-reviewed |
Published: New York : L.S. Foster, 1887-1900; Cambridge, Mass. : American Ornithologists' Union, 1901- |
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