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1. |
Record Nr. |
UNINA9910139974603321 |
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Autore |
Jean-Pierre Potier Jean-Louis Fournel, Jacques Guilhaumou |
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Titolo |
Libertés et libéralismes : formation et circulation des concepts / / sous la direction de Jean-Louis Fournel, Jacques Guilhaumou et Jean-Pierre Potier ; Jean-Christophe Angaut [and twenty others] |
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Pubbl/distr/stampa |
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ENS Éditions, 2012 |
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Lyon, [France] : , : ENS Éditions, , 2012 |
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©2012 |
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ISBN |
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Descrizione fisica |
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1 online resource (464 pages) : digital file(s) |
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Collana |
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Gouvernement en Question(s) |
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Disciplina |
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Soggetti |
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Liberalism |
Liberty |
Social contract |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Débats politiques sur la liberté individuelle et raisons langagières dans l'émergence du mot individualismeDÉMARCATIONS; Hegel et le libéralisme; Boris Nikolaevitch Tchitchérine, un libéral russe; Anarchisme et libéralisme. Une démarcation; Léon Walras, un économiste socialiste libéral; Les mutations de la gauche contemporaine à l'aune du concept de social-libéralisme; La question de l'État de droit chez Michel Foucault; EXPÉRIENCES; De la liberté en terre autocratique. Le moment décembriste (1801-1825) |
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Sommario/riassunto |
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This book starts from the observation that there is no reflection on liberalism without thought of freedom, but that all thought of freedom cannot be included in the various forms of liberalism. The two words which are at the start of this questioning refer to empirical or conceptual realities and to a priori different chronologies. Liberty refers to a thousand-year-old problematic, existing since men reflect on the possible forms of living together. Liberalism refers more to a body of doctrine that has its origin in an interpretation of the driving role of freedom for trade and the forms of organization of society. The challenge of this collection of studies, transdisciplinary by choice and |
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by necessity, is to confront the two notions in their uses and their history. This book thus proposes a more detailed cartography of these concepts than those proposed by the analytical literature (whether it is Isaiah Berlin's dual categorization opposing positive freedom and negative freedom or the now fixed opposition between liberalism and republicanism). One of the results of the enterprise is thus to provide a principle for explaining the diversity of liberalisms, which contemporary literature too often attempts to describe, independently of the historical moments of their institutionalisation. |
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2. |
Record Nr. |
UNINA9910131387603321 |
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Autore |
Gouyon Marie |
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Titolo |
Les femmes dans la création audiovisuelle et de spectacle vivant : Les auteurs de la SACD percevant des droits en 2011 / / Marie Gouyon |
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Pubbl/distr/stampa |
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Paris, : Département des études, de la prospective et des statistiques, 2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (16 p.) |
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Soggetti |
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Arts & Humanities |
Business |
emploi culturel |
féminisation |
spectacle |
SACD |
INSEE |
inégalités |
cultural employment |
feminization |
INSEE (National Institute of statistics and economic studies) |
performing art |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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En 2011, les femmes représentent 29 % des auteurs de la SACD et reçoivent 24 % des droits versés. Une femme perçoit ainsi, en 2011, un revenu moyen inférieur de 24 % à celui d’un homme. Les écarts de droits versés entre femmes et hommes trouvent plusieurs éléments d’explication : les femmes participent à moins d’œuvres que les hommes, en particulier dans le cinéma, le théâtre et les arts de la rue. Elles n’exercent pas non plus les mêmes fonctions, et sont ainsi plus souvent auteurs de texte ou chorégraphes que réalisatrices ou compositrices. À discipline et fonction égales, les écarts de rémunération sont pratiquement inexistants dans la radio et la télévision, mais subsistent dans le cinéma et le spectacle vivant : ces écarts persistants peuvent être liés à d’autres facteurs comme, par exemple, une fréquentation des spectacles ou une programmation des œuvres moins importante, dans des lieux de représentation ou sur des canaux de diffusion différents et à des horaires moins favorables. In 2011, women represented 29% of SACD authors and received 24% of the royalties paid. As a result, in 2011, a woman received an average income 24% less than that for a man. The differences in royalties between men and women can be explained in several ways: women participate in fewer works than men, in particular in the cinema, theatre and street arts. Neither do they perform the same functions, and so are more often text authors or choreographers than directors or composers. For the same discipline and function the differences in remuneration are practically non-existent in radio and television, but live on in cinema and live shows: these persistent differences can be linked to other factors, such as, for example, lower audience numbers or programming of works, in different performance venues or on different distribution channels and at less favourable times. |
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