| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910130902003321 |
|
|
Autore |
Zonenshain L. P |
|
|
Titolo |
Paleogeodynamics : the plate tectonic evolution of the earth |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
[Place of publication not identified], : American Geophysical Union, 1997 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Geodynamics |
Paleomagnetism |
Plate tectonics |
Geomagnetism |
Geology |
Earth & Environmental Sciences |
Dynamic & Structural Geology |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Bibliographic Level Mode of Issuance: Monograph |
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910793472903321 |
|
|
Titolo |
First Australians / / edited by Rachel Perkins [and seven others] |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Carlton, Victoria : , : Miegunyah Press, , 2010 |
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (165 pages) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Aboriginal Australians - History |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
First published 2008. |
"This edition published 2010"--copyright page. |
|
|
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
1. 'They made a solitude and called it peace' / Marcia Langton -- 2. 'What business have you here?' / James Boyce -- 3. How it starts / Bruce Pascoe -- 4. The sea met the desert, and the desert met the sea / RG Kimber -- 5. Blood history / Steve Kinnane -- 6. The schools of human experience / Wayne Atkinson -- 7. The dawn is at hand / Marcia Langton and Noel Loos. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
This book is the dramatic story of the collision of two worlds that created contemporary Australia. Told from the perspective of Australia's first people, it vividly brings to life the events that unfolded when the oldest living culture in the world was overrun by the world's greatest empire.Seven of Australia's leading historians reveal the true stories of individuals-both black and white-caught in an epic drama of friendship, revenge, loss and victory in Australia's most transformative period of history. Their story begins in 1788 in Warrane, now known as Sydney, with the friendship between an Englishman, Governor Phillip, and the kidnapped warrior Bennelong. It ends in 1993 with Koiki Mabo's legal challenge to the foundation of Australia. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3. |
Record Nr. |
UNINA9910735592903321 |
|
|
Autore |
Shapiro Michael <1938-> |
|
|
Titolo |
Gender in Play on the Shakespearean Stage : Boy Heroines and Female Pages / / Michael Shapiro |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Ann Arbor, : University of Michigan Press, 2023 |
|
Ann Arbor : , : The University of Michigan Press, , 1996 |
|
©1996 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
|
|
Edizione |
[First paperback edition.] |
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Classificazione |
|
PER000000SOC000000SOC032000 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Théâtre - Angleterre (GB) - Identite sexuelle - Dans la litterature |
Théâtre - Angleterre (GB) - 17e siecle |
Théâtre - Angleterre (GB) - 16e siecle |
Rôle selon le sexe - Dans la litterature |
Women in the theater |
Women in literature |
Theater - Casting |
Theater |
Sex role in literature |
Gender identity in the theater |
Gender identity in literature |
Disguise in literature |
Cross-dressing in literature |
Child actors |
Travestisme dans la litterature |
Femmes dans la litterature |
Deguisement dans la litterature |
Rôle selon le sexe dans la litterature |
Identite de genre dans la litterature |
Enfants acteurs - Angleterre - Histoire - 17e siecle |
Enfants acteurs - Angleterre - Histoire - 16e siecle |
Femmes au theâtre - Angleterre - Histoire - 17e siecle |
Femmes au theâtre - Angleterre - Histoire - 16e siecle |
Identite de genre au theâtre - Angleterre - Histoire - 17e siecle |
Identite de genre au theâtre - Angleterre - Histoire - 16e siecle |
Theâtre - Distribution artistique - Angleterre - Histoire - 17e siecle |
Theâtre - Distribution artistique - Angleterre - Histoire - 16e siecle |
|
|
|
|
|
|
|
|
|
|
|
|
Child actors - England - History - 17th century |
Child actors - England - History - 16th century |
Women in the theater - England - History - 17th century |
Women in the theater - England - History - 16th century |
Gender identity in the theater - England - History - 17th century |
Gender identity in the theater - England - History - 16th century |
Theater - Casting - England - History - 17th century |
Theater - Casting - England - History - 16th century |
History |
England |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Title from eBook information screen.. |
|
|
|
|
|
|
Nota di contenuto |
|
A brief social history of female cross-dressing -- Male cross-dressing in playhouses and plays -- Cross-gender disguise plus cross-gender casting -- Bringing the page onstage: The two gentlemen of Verona -- Doubling of cross-gender disguise: The merchant of Venice -- Layers of disguise: As you like it -- Anxieties of intimacy: Twelfth night -- From center to periphery: Cymbeline. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
"Like other English Renaissance writers and dramatists, Shakespeare was attracted to the heroine in male disguise. Gender in Play on the Shakespearean Stage examines the use of this type of character--man playing woman playing man--by framing five plays by Shakespeare against readings of some of the other "female page" plays written by other playwrights of the period. The many variations Michael Shapiro traces are placed in the context of female cross-dressing as a social phenomenon and in the context of female impersonation as the standard way of representing women on the Shakespearean stage. Shakespeare's use of the female page spanned his entire career: The Two Gentlemen of Verona (an early comedy), The Merchant of Venice, As You Like It, Twelfth Night (mature romantic comedies), and Cymbeline (a late romance). Shapiro deploys several modes of literary criticism to establish the distinctiveness of each of Shakespeare's five disguised heroine plays and to trace the subtle and ingenious variations on the motif by such writers as Greene, Fletcher, Chapman, Middleton, Jonson, and Ford. The popularity of the "female page" is examined as a playful literary and theatrical way of confronting, avoiding, or merely exploiting issues such as the place of women in a patriarchal culture and the representation of women on stage. Looking beyond and behind the stage for the cultural anxieties that cross-dressing London women being punished as prostitutes and speculation that the apprentices who played female roles in adult companies engaged in homoerotic practices. [This book] will appeal not only to scholars of Renaissance drama but to any reader interested in the historical construction and analysis of gender and sexuality, both on- and offstage"-- Back cover. |
|
|
|
|
|
|
|
| |