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1. |
Record Nr. |
UNINA990010087490403321 |
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Autore |
Morando, Paolo |
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Titolo |
'80 = = Ottanta : l'inizio della barbarie / Paolo Morando |
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Pubbl/distr/stampa |
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Roma ; Bari : Laterza, 2016 |
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ISBN |
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Descrizione fisica |
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Collana |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910780991003321 |
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Autore |
Goodman Steve |
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Titolo |
Sonic warfare : sound, affect, and the ecology of fear / / Steve Goodman |
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Pubbl/distr/stampa |
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Cambridge, Mass., : MIT Press, ©2010 |
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ISBN |
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0-262-26633-4 |
1-282-54179-X |
9786612541797 |
0-262-25883-8 |
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Descrizione fisica |
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Collana |
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Technologies of lived abstraction |
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Disciplina |
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Soggetti |
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Music - Acoustics and physics |
Music - Social aspects |
Music - Philosophy and aesthetics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Sommario/riassunto |
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"Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the "psychoacoustic correction" aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or "sound bombs") over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations." "Most theoretical discussions of sound and music cultures in relationship to power, Goodman argues, have a missing dimension: the politics of frequency. Goodman supplies this by drawing a speculative diagram of sonic forces, investigating the deployment of sound systems in the modulation of affect. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture." "Goodman concludes with speculations on the not yet heard - the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths."--Jacket. |
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3. |
Record Nr. |
UNINA9910524700203321 |
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Autore |
White Hayden V. <1928-2018.> |
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Titolo |
Figural Realism : Studies in the Mimesis Effect / / Hayden White |
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Pubbl/distr/stampa |
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Johns Hopkins University Press |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (1 online resource (xii, 205 pages)) |
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Disciplina |
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Soggetti |
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Mimesis |
Verteltheorie |
Geschiedschrijving |
Mimesis in literature |
Literature and history |
History in literature |
Historiography |
Criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Originally published as Johns Hopkins Press in 1999 |
Open access edition supported by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. |
The text of this book is licensed under a Creative Commons Attribution-NonCommercial-No derivatives 4.0 International License |
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Nota di bibliografia |
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Includes bibliographical references (pages 177-199) and index. |
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Nota di contenuto |
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Literary theory and historical writing -- Historical employment and the problem of truth in historical representation -- Formalist and contextualist strategies in historical explanation -- The modernist event -- Auerbach's literary history: Figural causation and modernist historicism -- Freud's tropology of dreaming -- Narrative, description, and tropology in Proust -- Form, reference, and ideology in musical discourse. |
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Sommario/riassunto |
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"In Figural Realism, White collects eight interrelated essays primarily concerned with the treatment of history in recent literary critical discourse. "'History' is not only an object we can study," White |
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observes, "it is also and even primarily a certain kind of relationship to 'the past' mediated by a distinctive kind of written discourse. It is because historical discourse is actualized in its culturally significant form as a specific kind of writing that we may consider the relevance of literary theory to both the theory and the practice of historiography.""--Jacket. |
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