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1. |
Record Nr. |
UNINA990010085060403321 |
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Autore |
Schede, Hildegard |
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Titolo |
Die Morphologie des Verbes im Altspanischen / Hildegard Schede |
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Pubbl/distr/stampa |
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Frankfurt am Main : Lang, 1987 |
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Descrizione fisica |
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Europäische Hochschulschariften . Reihe 24. , Ibero-Romanische Sprachen und Literaturen ; 26 |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910794911303321 |
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Titolo |
The internet and the 2016 presidential campaign / / edited by Jody C. Baumgartner and Terri L. Towner |
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Pubbl/distr/stampa |
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London : , : Lexington Books, , 2017 |
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©2017 |
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ISBN |
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Descrizione fisica |
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1 online resource (385 pages) : illustrations, tables |
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Classificazione |
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Disciplina |
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Soggetti |
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United States |
election campaign |
presidential election |
Internet |
social media |
communications systems |
information system |
means of communication |
turnout of voters |
vote |
Presidents - United States - Election - 2016 |
Internet - Political aspects - United States |
Political campaigns - United States - Computer network resources |
Internet in political campaigns - United States |
Presidential candidates - United States |
United States Politics and government 2009-2017 |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Consistent and cautious : online congressional campaigning in the context of the 2016 presidential election / James N. Druckman, Martin J. Kier, and Michael Parkin -- Campaigning in 140 characters : a content analysis of Twitter use by 2016 U.S. congressional candidates / |
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Casey Frechette and Monica Ancu -- I beg to differ : understanding political disagreement presented by candidates in gubernatorial primaries / Anne-Bennett Smithson and Emily K. Vraga -- The Twitter election : analyzing candidate use of social media in the 2016 presidential campaign / Steven Navarra and Mandi Bates Bailey -- Gender and presidential elections : how the 2016 candidates played the "woman card" on Twitter / Heather K. Evans, Kayla J. Brown and Tiffany Wimberly -- Digital ad expenditures by outside groups in the 2016 presidential election / Christine B. Williams and Girish J. "Jeff" Gulati -- Tipping the balance of power in elections? : voters' engagement in the digital campaign / Diana Owen -- Campaign messaging during the 2016 U.S. presidential election : Twitter compares to traditional media / David S. Morris -- "Going public" in the age of Twitter and mistrust the media : Donald Trump's 2016 presidential campaign / Peter L. Francia -- Late night talk moves online : political humor, YouTube, and the 2016 presidential election / Jody C. Baumgartner -- Issue emphasis and agenda building on Twitter during the 2016 presidential primary season / Berthany A. Conway-Silva, Christine R. Filer, Kate Kenski and Eric Tetsi -- Picture perfect? : the role of Instagram in issue agenda setting during the 2016 presidential primary campaign / Terri L. Towner and Caroline Lego Muñoz -- Getting the picture : issues and the 2016 presidential campaign on Instagram / Mark D. Ludwig. |
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Sommario/riassunto |
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Although many developments surrounding the Internet campaign are now considered to be standard fare, there were a number of new developments in 2016. Drawing on original research conducted by leading experts, The Internet and the 2016 Presidential Campaign attempts to cover these developments in a comprehensive fashion. How are campaigns making use of the Internet to organize and mobilize their ground game? To communicate their message? The book also examines how citizens made use of online sources to become informed, follow campaigns, and participate. Contributions also explore how the Internet affected developments in media reporting, both traditional and non-traditional, about the campaign. What other messages were available online, and what effects did these messages have had on citizen’s attitudes and vote choice? The book examines these questions in an attempt to summarize the 2016 online campaign. |
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3. |
Record Nr. |
UNINA9910828317603321 |
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Autore |
Robbins Amy Moorman <1970-> |
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Titolo |
American hybrid poetics : gender, mass culture, and form / / Amy Moorman Robbins |
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Pubbl/distr/stampa |
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New Brunswick, New Jersey : , : Rutgers University Press, , 2014 |
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©2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (187 p.) |
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Collana |
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The American Literatures Initiative |
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Disciplina |
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Soggetti |
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American poetry - Women authors - History and criticism |
Poetics |
Aesthetics in literature |
Cultural fusion in literature |
Women and literature - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Gertrude Stein's Blood on the Dining-Room Floor: Hybrid Poetics in Modernist/Mass Culture -- 2. Laura Mullen's Murmur: Crime Fiction, Cruel Optimism, and a Hybrid Poetics of Affect -- 3. Alice Notley's Disobedience: The Postmodern Subject, Paranoia, and a New Poetics of Noir -- 4. Harryette Mullen's Poetics in Prose: A Return to the Modernist Hybrid -- 5. Claudia Rankine's Don't Let Me Be Lonely: A Lyrical Long Poem in a Post-Language Age -- Notes -- Index -- About the author |
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Sommario/riassunto |
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American Hybrid Poetics explores the ways in which hybrid poetics-a playful mixing of disparate formal and aesthetic strategies-have been the driving force in the work of a historically and culturally diverse group of women poets who are part of a robust tradition in contesting the dominant cultural order. Amy Moorman Robbins examines the ways in which five poets-Gertrude Stein, Laura Mullen, Alice Notley, Harryette Mullen, and Claudia Rankine-use hybridity as an implicitly political strategy to interrupt mainstream American language, literary genres, and visual culture, and expose the ways in which mass culture |
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in the twentieth and twenty-first centuries has had a powerfully standardizing impact on the collective American imagination. By forcing encounters between incompatible traditions-consumer culture with the avant-garde, low culture forms with experimental poetics, prose poetry with linguistic subversiveness-these poets bring together radically competing ideologies and highlight their implications for lived experience. Robbins argues that it is precisely because these poets have mixed forms that their work has gone largely unnoticed by leading members and critics in experimental poetry circles. |
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