1.

Record Nr.

UNINA990010085060403321

Autore

Schede, Hildegard

Titolo

Die Morphologie des Verbes im Altspanischen / Hildegard Schede

Pubbl/distr/stampa

Frankfurt am Main : Lang, 1987

ISBN

3-8204-9560-6

Descrizione fisica

777 p. ; 23 cm

Collana

Europäische Hochschulschariften . Reihe 24. , Ibero-Romanische Sprachen und Literaturen ; 26

Disciplina

467.01

Locazione

FLFBC

Collocazione

467.01 SCH 1

Lingua di pubblicazione

Tedesco

Formato

Materiale a stampa

Livello bibliografico

Monografia



2.

Record Nr.

UNINA9910794911303321

Titolo

The internet and the 2016 presidential campaign / / edited by Jody C. Baumgartner and Terri L. Towner

Pubbl/distr/stampa

London : , : Lexington Books, , 2017

©2017

ISBN

1-4985-4297-2

Descrizione fisica

1 online resource (385 pages) : illustrations, tables

Classificazione

04.12.24

32.20.24

Disciplina

324.973/0932

Soggetti

United States

election campaign

presidential election

Internet

social media

communications systems

information system

means of communication

turnout of voters

vote

Presidents - United States - Election - 2016

Internet - Political aspects - United States

Political campaigns - United States - Computer network resources

Internet in political campaigns - United States

Presidential candidates - United States

United States Politics and government 2009-2017

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Consistent and cautious : online congressional campaigning in the context of the 2016 presidential election / James N. Druckman, Martin J. Kier, and Michael Parkin -- Campaigning in 140 characters : a content analysis of Twitter use by 2016 U.S. congressional candidates /



Casey Frechette and Monica Ancu -- I beg to differ : understanding political disagreement presented by candidates in gubernatorial primaries / Anne-Bennett Smithson and Emily K. Vraga -- The Twitter election : analyzing candidate use of social media in the 2016 presidential campaign / Steven Navarra and Mandi Bates Bailey -- Gender and presidential elections : how the 2016 candidates played the "woman card" on Twitter / Heather K. Evans, Kayla J. Brown and Tiffany Wimberly -- Digital ad expenditures by outside groups in the 2016 presidential election / Christine B. Williams and Girish J. "Jeff" Gulati -- Tipping the balance of power in elections? : voters' engagement in the digital campaign / Diana Owen -- Campaign messaging during the 2016 U.S. presidential election : Twitter compares to traditional media / David S. Morris -- "Going public" in the age of Twitter and mistrust the media : Donald Trump's 2016 presidential campaign / Peter L. Francia -- Late night talk moves online : political humor, YouTube, and the 2016 presidential election / Jody C. Baumgartner -- Issue emphasis and agenda building on Twitter during the 2016 presidential primary season / Berthany A. Conway-Silva, Christine R. Filer, Kate Kenski and Eric Tetsi -- Picture perfect? : the role of Instagram in issue agenda setting during the 2016 presidential primary campaign / Terri L. Towner and Caroline Lego Muñoz -- Getting the picture : issues and the 2016 presidential campaign on Instagram / Mark D. Ludwig.

Sommario/riassunto

Although many developments surrounding the Internet campaign are now considered to be standard fare, there were a number of new developments in 2016. Drawing on original research conducted by leading experts, The Internet and the 2016 Presidential Campaign attempts to cover these developments in a comprehensive fashion. How are campaigns making use of the Internet to organize and mobilize their ground game? To communicate their message? The book also examines how citizens made use of online sources to become informed, follow campaigns, and participate. Contributions also explore how the Internet affected developments in media reporting, both traditional and non-traditional, about the campaign. What other messages were available online, and what effects did these messages have had on citizen’s attitudes and vote choice? The book examines these questions in an attempt to summarize the 2016 online campaign.



3.

Record Nr.

UNINA9910828317603321

Autore

Robbins Amy Moorman <1970->

Titolo

American hybrid poetics : gender, mass culture, and form / / Amy Moorman Robbins

Pubbl/distr/stampa

New Brunswick, New Jersey : , : Rutgers University Press, , 2014

©2014

ISBN

0-8135-6466-2

Descrizione fisica

1 online resource (187 p.)

Collana

The American Literatures Initiative

Disciplina

811.009/9287

Soggetti

American poetry - Women authors - History and criticism

Poetics

Aesthetics in literature

Cultural fusion in literature

Women and literature - United States

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Includes index.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Gertrude Stein's Blood on the Dining-Room Floor: Hybrid Poetics in Modernist/Mass Culture -- 2. Laura Mullen's Murmur: Crime Fiction, Cruel Optimism, and a Hybrid Poetics of Affect -- 3. Alice Notley's Disobedience: The Postmodern Subject, Paranoia, and a New Poetics of Noir -- 4. Harryette Mullen's Poetics in Prose: A Return to the Modernist Hybrid -- 5. Claudia Rankine's Don't Let Me Be Lonely: A Lyrical Long Poem in a Post-Language Age -- Notes -- Index -- About the author

Sommario/riassunto

American Hybrid Poetics explores the ways in which hybrid poetics-a playful mixing of disparate formal and aesthetic strategies-have been the driving force in the work of a historically and culturally diverse group of women poets who are part of a robust tradition in contesting the dominant cultural order.  Amy Moorman Robbins examines the ways in which five poets-Gertrude Stein, Laura Mullen, Alice Notley, Harryette Mullen, and Claudia Rankine-use hybridity as an implicitly political strategy to interrupt mainstream American language, literary genres, and visual culture, and expose the ways in which mass culture



in the twentieth and twenty-first centuries has had a powerfully standardizing impact on the collective American imagination. By forcing encounters between incompatible traditions-consumer culture with the avant-garde, low culture forms with experimental poetics, prose poetry with linguistic subversiveness-these poets bring together radically competing ideologies and highlight their implications for lived experience. Robbins argues that it is precisely because these poets have mixed forms that their work has gone largely unnoticed by leading members and critics in experimental poetry circles.