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1. |
Record Nr. |
UNINA990010063490403321 |
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Autore |
D'Amico, Nicola |
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Titolo |
Storia della formazione professionale in Italia : dall'uomo da lavoro al lavoro per l'uomo / Nicola D'Amico ; Prefazione di Giuseppe De Rita |
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Pubbl/distr/stampa |
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Milano : FrancoAngeli, 2015 |
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ISBN |
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Descrizione fisica |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910139921203321 |
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Autore |
Northington Kirk <1959-> |
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Titolo |
Volatility-based technical analysis [[electronic resource] ] : strategies for trading the invisible / / Kirk Northington |
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Pubbl/distr/stampa |
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Hoboken, N.J., : Wiley, c2009 |
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ISBN |
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0-470-52230-5 |
1-119-19764-3 |
1-282-36907-5 |
9786612369070 |
0-470-52229-1 |
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Descrizione fisica |
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1 online resource (483 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Investment analysis |
Portfolio management |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Volatility-Based Technical Analysis: Strategies for Trading the Invisible; Contents; Preface; INTENDED AUDIENCE; WHAT'S INSIDE?; Acknowledgments; Part I: Are You Prepared?; Chapter 1: The Challenges; Chapter 2: The Opportunities; Chapter 3: The Foundation: Preparations for Exploring Volatility-Based Technical Analysis; Part II: Seeing the Invisible; Chapter 4: New Volatility Indicator Design; Chapter 5: Integrated Volatility Indicator Design; Chapter 6: The Framework: A Structural Approach for Cross-Verification; Chapter 7: Traditional Technical Analysis: What Works, What Doesn't, and Why |
Part III: Trading the InvisibleChapter 8: Bull Bear Phase Prediction: The Intermediate- and Short-Term Market Swing; Chapter 9: Trading the Short-Term Reversal with Volatility-Based Technical Analysis-The Adeo; Chapter 10: Trading the Trend with the 1-2-3; Chapter 11: Hidden Momentum with Adeo High Slope; Chapter 12: Designing the Exit; Chapter 13: Correction and Surge: An Early Warning System; Chapter 14: Trading System Design: Detecting the Invisible; Appendix A: Trade Station Examples and Easy Language Code; AVERAGE TRUE RANGE; THE TTI ATR EXTREME; THE TTI STOCHASTIC EXTREME |
THE TTI FABRIC LRTHE TTI TREND STRENGTH; THE TTI RSIV; THE TTI COMPOSITE; THE RELATIVE EXIT; CORRECTION AND SURGE; METASWING FOR TRADESTATION; Appendix B: The PIV Options Advantage: Using Projected Implied Volatility to Trade the Butterfly, Condor, Strangle, and Straddle; PIV FOR THE BUTTERFLY AND CONDOR; PIV FOR THE STRANGLE AND STRADDLE; PIV FOR OPTION SPREADS; Appendix C: About the Companion Web Site; Notes; About the Author; Index |
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Sommario/riassunto |
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A framework for creating volatility-based technical analysis and trading it for profit Volatility-Based Technical Analysis bridges the advantage gap between resource rich institutions and individual traders. It is a no-calculus, plain-English text that reveals original, highly technical, mathematical-based volatility indicators, complete with MetaStock® and TradeStation® code. With this in hand, any trader can ""trade the invisible"" by seeing a hidden mathematical structure on the price chart. Author Kirk Northington reveals his proprietary volatility indicators that serve as |
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3. |
Record Nr. |
UNINA9910831857303321 |
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Autore |
Poloczek Rafael |
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Titolo |
(Motiv-)Geschichte der 'aufrechten Haltung' und des 'aufrechten Ganges' in Polen : : Ursprünge und moderne Ausprägungen / / Rafael Poloczek . Volume 31 |
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Pubbl/distr/stampa |
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[s.l.] : , : Bamberg University Press, , 2019 |
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ISBN |
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Descrizione fisica |
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Collana |
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Schriften aus der Fakultät Geistes- und Kulturwissenschaften |
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Soggetti |
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Language Arts & Disciplines / Linguistics |
Language arts |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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History (of the Motifs) of 'Upright Posture' and 'Walking Upright' in Poland: Origins and Modern Forms Already early on, the upright posture of the human being aroused the interest of thinkers and poets. In addition to Plato and Ovid, such Western luminaries as Bernhard of Clairvaux, Giovanni Pico della Mirandola and Johann Gottfried Herder dealt with the subject, to name just a few. In the human being's peculiar form, they all saw a sign of its special place in the cosmic order. Over time, focus also came to be placed on a further physiological property of the human being: walking upright. The essential significance of the latter for the evolution of humans has become clear since at least Charles Darwin. Upright posture and upright gait do not only function as objects of consideration for philosophy and science, however, but also as metaphors. Here, the physical process acquires a symbolic-ethical connotation. The positive connotation of the 'principle of uprightness' in many languages provides an example in this connection. In German, aufrecht is a synonym for respectable, firm, steadfast and is directly related etymologically to aufrichtig or honest/sincere/upright. The metaphorical usage of the expression aufrechter Gang or walking |
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upright reached a status of relevance in the German-speaking countries beginning in the 1970s and soon became a key concept for civil society. Originally a biological term, in its new symbolic significance, 'aufrechter Gang' denotes fearless, committed and principled engagement and action. Whereas 'walking upright' serves as a comparable motif in English, Russian does not have any such motif. This can be correlated in a comprehensible way with the peculiarities of Russian history: the autocratic tendencies that applied here were prejudicial to the development of practical forms of manifestation of 'walking upright' and corresponding metaphorical images. But what about other Slavic countries? Could the motif of 'walking upright' and related images gain a foothold here somewhere? And how pronounced is the practice of 'walking upright' in this region? The present dissertation examined Poland in this respect, and these are its main findings: I. Motifs of 'uprightness' occur in Poland. Four of them should be emphasized: kręgosłup (moralny) [(moral) backbone], postawa wyprostowana [upright posture/attitude], nauka chodzenia [learning to walk] and iść wyprostowanym [to walk upright]. Thanks to the last expression, modern Polish works with a metaphorical expression that is analogous to the German imagery of the upright gait (aufrechter Gang, aufrecht gehen). II. The modern Polish images of 'uprightness' are not neologisms or imports, but rather the product of a centuries-long development. This is to say that comparable images and linguistic expressions have been present in Polish literature and the Polish language since their beginnings. Some retained their currency; others underwent further development. In parallel to these linguistic-metaphorical processes, ideological and practical processes played out, in which the idea of 'walking upright' was involved: Thus, one did not only use the vocabulary of 'uprightness', but one also reflected on 'being upright' and put 'walking upright' into practice. An expansion of both levels often occurred, inasmuch as corresponding metaphors served to describe concepts or acts of 'uprightness'. As a result of this long history of continuity, change and interaction, the modern idea of 'walking upright' and its motifs are understood and used in Poland. III. The thesis of the rootedness of 'uprightness' in Poland does not exclude external stimuli. On the contrary: It was precisely such stimuli that were responsible for many of the adjustments that made possible or promoted thought and action in the spirit of 'walking upright' in Poland. These include the connection made to Western Europe's Latin-chivalric tradition, the early contact with Western and, above all, ancient philosophy, and participation in Europe's major cultural currents and historical developments. Many linguistic, thematic and metaphoric borrowings were the result. Accordingly, modern Polish motifs of 'uprightness' are the result of an interplay between external stimuli and internal practical, as well as theoretical, adaptations. The Polish history of 'walking upright' thus represents a chapter in the European history of this phenomenon. IV. Despite their kinship and compatibility, the German and the Polish motif of 'walking upright' are not identical. This does not mean, above all, that the German image is primarily substantival and the Polish primarily functions as a verb (even if variations are possible in both cases). The main difference lies in the semantic content: The German image has a stronger physiological connotation; one connects it reflexively to the (evolutionary) biological act of walking upright. The Polish image provokes, in the first place, associations with walking as a cultural-symbolic act: an act of pride or defiance. The allusions to human biology are, in fact, clearly perceptible in the corresponding passages of the initiator of the German imagery, Ernst Bloch (as they are in the work of his successors |
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as well). This is not the case in the texts of the creator of the Polish equivalent: the poet Zbigniew Herbert (1924-1998). Here, the relevant acts have a primarily symbolic character. Apart from the fact that the German motif derives from theoretical texts, whereas the Polish counterpart is taken from poetry, this difference in connotation is to be explained by the fact that the Blochian approach has to be assigned more to the anthropological tradition of Plato, which thematizes the particularity of the human being among earthly creatures, whereas the Herbertian approach follows more the Stoic tradition of Seneca, whose theme is steadfastness in dealing with fellow human beings. One could even suggest that the difference between the images reflects the difference between Polish 'Romantic' and German 'enlightened' culture. This difference does not, however, prevent both motifs from being used to denote identical contents and from their being translatable into one another - which is, in turn, proof of the universality of the 'principle of uprightness'. |
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