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1. |
Record Nr. |
UNINA990010023970403321 |
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Autore |
RUTHVEN, Douglas M. |
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Titolo |
Pressure Swing Adsorption / Douglas M. Ruthven, Shamsuzzaman Farooq, Kent S. Knaebel |
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Pubbl/distr/stampa |
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New York : WILEY-VCH, c1994 |
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ISBN |
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Descrizione fisica |
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XXII, 352 P. : ill. ; 23 cm |
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Altri autori (Persone) |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISA996216691403316 |
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Titolo |
The Cambridge companion to modernism / / edited by Michael Levenson [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 1999 |
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ISBN |
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Descrizione fisica |
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1 online resource (xvii, 246 pages) : digital, PDF file(s) |
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Collana |
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Cambridge companions to literature |
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Disciplina |
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Soggetti |
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Modernism (Literature) |
Modernism (Art) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 09 Nov 2015). |
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Nota di contenuto |
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The metaphysics of modernism / Michael Bell -- The cultural economy of modernism / Lawrence Rainey -- The modernist novel / David Trotter -- Modern poetry / James Longenbach -- Modernism in drama |
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/ Christopher Innes -- Modernism and the politics of culture / Sara Blair -- Modernism and gender / Marianne DeKoven -- The visual arts / Glen MacLeod -- Modernism and film / Michael Wood. |
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Sommario/riassunto |
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In The Cambridge Companion to Modernism, ten eminent scholars from Britain and the United States offer timely new appraisals of the revolutionary cultural transformations of the first decades of the twentieth century. Chapters on the major literary genres, intellectual, political and institutional contexts, film and the visual arts, provide both close analyses of individual works and a broader set of interpretive narratives. A chronology and guide to further reading supply valuable orientation for the study of Modernism. Readers will be able to use the book at once as a standard work of reference and as a stimulating source of compelling new readings of works by writers and artists from Joyce and Woolf to Stein, Picasso, Chaplin, H. D. and Freud, and many others. Students will find much-needed help with the difficulties of approaching Modernism, while the essays' original contributions will send scholars back to this volume for stimulating re-evaluation. |
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3. |
Record Nr. |
UNINA9910784304603321 |
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Autore |
Hamilton Richard F. |
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Titolo |
Decisions for war, 1914-1917 / / Richard F. Hamilton, Holger H. Herwig [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2004 |
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ISBN |
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1-107-13977-5 |
1-280-16318-6 |
0-511-80485-7 |
0-511-12176-8 |
0-511-08222-3 |
0-511-19678-4 |
0-511-29825-0 |
0-511-08177-4 |
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Descrizione fisica |
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1 online resource (xvi, 266 pages) : digital, PDF file(s) |
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Disciplina |
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Soggetti |
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World War, 1914-1918 - Causes |
World War, 1914-1918 - Diplomatic history |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references (p. 253-258) and index. |
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Nota di contenuto |
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Cover; Half-title; Title; Copyright; Dedication; Contents; List of Maps; Acknowledgments; CHAPTER 1 The Great War: A Review of the Explanations; CHAPTER 2 European Wars: 1815-1914; CHAPTER 3 Austria-Hungary; CHAPTER 4 Germany; CHAPTER 5 Russia; CHAPTER 6 France; CHAPTER 7 Great Britain; CHAPTER 8 Japan; The Ottoman Empire; CHAPTER 9 Bulgaria, Romania, and Greece; CHAPTER 10 Italy; CHAPTER 11 The United States; CHAPTER 12 On the Origins of the Catastrophe; Recommended Reading; Index |
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Sommario/riassunto |
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Decisions for War focuses on the choices made by small coteries in Austria-Hungary, Germany, Russia, France, Britain and elsewhere to address a common yet perplexing question: why did World War I happen? Several of the usual causes for the war are reviewed and discussed. Rather than accepting arguments of mass demands, nationalism, militarism, and social Darwinism, the book shows how in each country, the decision to enter the war was made by only a handful of individuals - monarchs, ministers, military people, party leaders, ambassadors, and others. In each case, we also see separate and distinct agendas, the considerations differing from one nation to the next. The leadership of Japan, the Ottoman Empire, Italy, the Balkans, and the United States are explored, as well as that of the major European countries involved. |
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