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1. |
Record Nr. |
UNINA990009505520403321 |
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Autore |
Lawrence, Walter Roper |
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Titolo |
The India we served / by Walter Roper Lawrence ; with an introductory letter by Rudyard Kipling |
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Pubbl/distr/stampa |
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London : Cassell and Company, 1928 |
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Descrizione fisica |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISA990001836320203316 |
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Autore |
NIETZSCHE, Friedrich |
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Titolo |
Bd. 5.1 : Morgenrothe ; Nachgelassene Fragmente : (1880-1881) / Friedrich Nietzsche ; hrsg. von Giorgio Colli und Mazzino Montinari |
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Pubbl/distr/stampa |
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Berlin : De Gruyter, 1971 |
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Descrizione fisica |
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Collocazione |
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VII.2.A. 616/5.1a(II t A 234/5 1 a) |
VII.2.A. 616/5.1(II t A 234/5 1 ) |
VII.2.A. 616/5.1b(II t A 234/5 1bis ) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910635383503321 |
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Autore |
Huvenne Martine |
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Titolo |
The Audiovisual Chord : Embodied Listening in Film / / by Martine Huvenne |
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Pubbl/distr/stampa |
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Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2022 |
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ISBN |
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9789811948077 |
9811948070 |
9789811948060 |
9811948062 |
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Edizione |
[1st ed. 2022.] |
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Descrizione fisica |
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1 online resource (322 pages) |
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Collana |
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Palgrave Studies in Sound, , 2633-5883 |
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Disciplina |
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Soggetti |
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Science - Social aspects |
Motion pictures |
Phenomenology |
Science and Technology Studies |
Sound Studies |
Film Theory |
Audio-Visual Culture |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Introduction -- Part I -- “The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.” -- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening -- Phenomenology, an introductionv -- Part II -- A phenomenological approach to audiovisual experience in practice -- Thinking in movement, and different ways to create space in film sound -- The audiovisual chord, an invitation to the audience to interact -- Part III -- Embodied listening, felt sound and the audiovisual chord in film history -- The audiovisual chord in relation to film as an audiovisual composition -- The importance of embodied (panic) listening in film as an audiovisual composition -- A phenomenological approach to film sound and film at the basis of film-making -- Conclusion. |
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Sommario/riassunto |
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This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world. . |
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