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1. |
Record Nr. |
UNINA990008858190403321 |
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Titolo |
De l'Ancien Régime au Nouveau monde [Texte imprimé] : écrits politiques / textes choisis, présentés et annot. par Jean-Paul Clément |
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Pubbl/distr/stampa |
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ISBN |
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Descrizione fisica |
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Collana |
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Altri autori (Persone) |
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Disciplina |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9911115518203321 |
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Autore |
Petit Solange |
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Titolo |
Les Américains de Paris / / Solange Petit |
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Pubbl/distr/stampa |
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Berlin ; ; Boston : , : De Gruyter Mouton, , [2019] |
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©1975 |
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ISBN |
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Edizione |
[Reprint 2019] |
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Descrizione fisica |
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1 online resource (149 p.) |
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Collana |
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Publications of the International Social Science Council ; ; 17 |
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Classificazione |
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Altri autori (Persone) |
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Soggetti |
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SOCIAL SCIENCE / Sociology / General |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Frontmatter -- Table des matières -- Préface -- Introduction -- I. LE CHOIX DE LA MINORITÉ -- II. DESCRIPTION GÉNÉRALE DE LA POPULATION AMÉRICAINE DE PARIS -- PARTIE TECHNIQUE -- I. POPULATION -- II. INTERVIEWS. QUESTIONNAIRES. AUTOBIOGRAPHIES DU FUTUR -- III. ÉCHANTILLON DE LA PHASE. QUESTIONNAIRE -- IV. DIFFICULTÉS RENCONTRÉES -- CHAPITRE I : La vie quotidienne -- I. LA VIE ÉCONOMIQUE -- II.LA VIE SOCIALE -- III. CONCLUSION -- CHAPITRE II : La famille -- I. IMAGE DU FUTUR POUR LES ENFANTS -- II. RELATIONS PARENTS-ENFANTS -- III. IMAGE DU COUPLE -- IV. IMAGE DE LA MÈRE -- CHAPITRE III : Image du mode de vie français et image du mode de vie américain -- I. MODE DE VIE FRANÇAIS -- II. MODE DE VIE AMÉRICAIN -- III. CONCLUSION -- Conclusion générale -- I. ASSURANCE NATURELLE -- II. IMAGE DE LEUR PAYS -- III. ATTITUDE DES FRANÇAIS ENVERS LES AMÉRICAINS -- IV. CONSÉQUENCES CHEZ L'AMÉRICAIN DE L'ATTITUDE DES FRANÇAIS -- Annexes -- I . RÉSULTATS STATISTIQUES -- II. PYRAMIDE D'AGE DES RÉSIDENTS ÉTRANGERS A PARIS -- Bibliographie |
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Sommario/riassunto |
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To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the |
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high-quality primary sources that De Gruyter has published over the centuries. |
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3. |
Record Nr. |
UNINA9911139895803321 |
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Autore |
Epstein Eliot <1929-> |
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Titolo |
Industrial composting : environmental engineering and facilities management / / Eliot Epstein |
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Pubbl/distr/stampa |
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Boca Raton, Fla, : CRC Press, 2011 |
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Boca Raton : , : CRC Press, , 2011 |
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ISBN |
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0-429-10646-7 |
1-4398-4532-8 |
9780429106460 |
9781040059753 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (338 p.) |
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Disciplina |
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Soggetti |
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Refuse and refuse disposal |
Environmental engineering |
Facility management |
Compost industry |
Refuse disposal facilities |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Front Cover; Contents; Preface; Acknowledgments; The Author; Chapter 1: A Prospective; Chapter 2: Basic Concepts of Composting; Chapter 3: The Composting Process; Chapter 4: Design and Material, Energy, and Water Balances; Chapter 5: Facilities Planning; Chapter 6: Composting Technologies and Systems; Chapter 7: Facility Design; Chapter 8: Economics; Chapter 9: Odor Management Basic Concepts; Chapter 10: Operational Control of Odors; Chapter 11: Odor Control Systems; Chapter 12: Pathogens; Chapter 13: Bioaerosols; Chapter 14: Site Management |
Chapter 15: Public Relations, Communication, and RegulationsChapter 16: Product Utilization and Marketing; Back Cover |
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Sommario/riassunto |
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The ultimate in recycling, composting has been in use in some form since ancient times. A well-managed composting facility should exist as a good neighbor contributing to ecology. However, since local populations often perceive risks if a composting facility is built nearby, composting facilities must be designed and operated with minimal odor, dust, and noise emissions. Industrial Composting examines the key operational aspects and problems associated with composting, with strong emphasis on odor mitigation, pathogens, and aerosols. Designed for compos |
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4. |
Record Nr. |
UNINA9911133164003321 |
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Autore |
Van Orden Kate |
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Titolo |
Music, authorship, and the book in the first century of print / / Kate van Orden |
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Pubbl/distr/stampa |
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Berkeley : , : University of California Press, , [2014] |
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©2014 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (257 p.) |
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Classificazione |
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Disciplina |
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Soggetti |
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Music printing - History - 16th century |
Music publishing - History - 16th century |
Music - 16th century - History and criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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The world of books -- Music books and their authors -- Authors of lyric -- The book of poetry becomes a book of music -- Resisting the press : performance. |
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Sommario/riassunto |
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What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music's adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the |
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sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers. |
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