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1. |
Record Nr. |
UNISA990000950330203316 |
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Autore |
CONIGLIARO, Francesco |
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Titolo |
La libertà : estasi e tormento / Francesco Conigliaro |
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Pubbl/distr/stampa |
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Torino : Giappichelli, copyr. 2001 |
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ISBN |
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Descrizione fisica |
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Collana |
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Recta ratio . 4. ser. ; 2 |
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Disciplina |
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Soggetti |
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Libertà - Filosofia del diritto |
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Collocazione |
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XXII.1. Coll. 3/ 26 (COLL PUD IV/2) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA990008414560403321 |
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Autore |
North, Douglass Cecil <1920- > |
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Titolo |
The economics of public issues / Douglass C. North, Roger Le Roy Miller |
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Pubbl/distr/stampa |
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New York [etc.], : Harper & Row, c1978 |
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ISBN |
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Edizione |
[4th ed.] |
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Descrizione fisica |
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Altri autori (Persone) |
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Disciplina |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910220559003321 |
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Autore |
Cobussen Marcel |
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Titolo |
The field of musical improvisation / / Marcel Cobussen |
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Pubbl/distr/stampa |
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Leiden University Press, 2017 |
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[Leiden] : , : Leiden University Press, , 2017 |
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ISBN |
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Descrizione fisica |
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1 online resource (116 pages) |
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Soggetti |
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Theory of music & musicology |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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The central aim of this book is to present a new approach to “the field of musical improvisation” (FMI), a theory which understands improvisation as a nonlinear dynamic and complex system. The study provocatively argues that during an improvisation more actants are “at work” than musicians alone: space, acoustics, instruments, audience, technicians, musical and socio-cultural backgrounds, technology, and the like all play a significant role. However, not all of these actants determine every improvisation to the same extent; some are more prominent and active than others in certain situations (periods, styles, cultures, as well as more singular circumstances). Therefore, the FMI theory will prove to be more than a theory dealing with improvisation “in general”. Rather, FMI emphasizes singularity: each improvisation thus yields a different network of actants and interactions, a unique configuration or assembly. |
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