L'appartenenza confessionale : contributo allo studio delle persone fisiche nel diritto ecclesiastico italiano / Cesare Mirabelli

• Record Nr.: UNINA990007019740403321
• Autore: Mirabelli, Cesare
• Pubbl/distr/stampa: Padova : Cedam, 1975
• Descrizione fisica: IX, 377 p. ; 25 cm
• Collana: Pubblicazioni dell'Istituto di diritto pubblico della Facoltà di giurisprudenza, Università degli studi di Roma La Sapienza , Ser. 3 ; 28
• Disciplina: 342.450852
• Locazione: DDCIC; DCEC; FGBC
• Collocazione: XXVI 507 CC; II PP 5; Univ. 405 (28)
• Lingua di pubblicazione: Italiano
• Formato: Materiale a stampa
• Livello bibliografico: Monografia

Foreign currency volatility and the market for French modernist art / / by David M. Challis

• Record Nr.: UNINA9910824338203321
• Autore: Challis David M.
• Pubbl/distr/stampa: Leiden ; ; Boston : , : Brill, , [2021]; ©2021
• Descrizione fisica: 1 online resource
• Collana: Studies in the history of collecting & art markets ; ; Volume 12
• Disciplina: 707.50944
• Soggetti: Art - France - Marketing - History - 20th century; France Economic conditions 1918-1945
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Based on the author's dissertation (Ph.D.)--University of Melbourne, 2018, under the title: Moving mountains : interwar collecting of French modernist art and the economics of translocation.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Economic Disruption and the Monetisation of French Collections -- Samuel Courtauld as Private Collector and Public Donor -- Albert Barnes as Currency Opportunist and 'Visionary Art Educator' -- Kojiro Matsukata and the Economics of Rodin in Japan -- Institutional Inertia and the National Gallery of Victoria in Australia -- Assis Chateaubriand at the Museu de São Paulo and the Turn Toward Brazilian Modernism.
• Sommario/riassunto: Foreign Currency Volatility and the Market for French Modernist Art examines how the collapse of the French franc in the decades following the First World War activated powerful 'push' and 'pull' economic forces that compelled French art collectors to monetise their collections while simultaneously elevating the purchasing power of international art collectors. These factors are shown to have played a significant, and previously under-recognised role, in the large-scale translocation of French modernist art that radically accelerated its commercial and critical reception across the globe and positioned it at the apex of the newly established hierarchy of modern art.