1.

Record Nr.

UNINA990006939250403321

Autore

Feghali, Joseph

Titolo

Histoire du droit de l'Église maronite . tome 1. les conciles des XVIe et XVIIe siècles / par Joseph Feghali ; préface de Jean Dauvillier

Pubbl/distr/stampa

Paris : Letouzey et Ané, 1962-

Descrizione fisica

v. ; 24 cm

Disciplina

270

Locazione

FGBC

Collocazione

UNIVERSITÀ 242

Lingua di pubblicazione

Arabo

Francese

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910300035203321

Autore

Liu Yong

Titolo

3D Cinematic Aesthetics and Storytelling / / by Yong Liu

Pubbl/distr/stampa

Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018

ISBN

9783319727424

3319727427

Edizione

[1st ed. 2018.]

Descrizione fisica

1 online resource (226 pages)

Disciplina

777

Soggetti

Motion pictures

Television broadcasting

Digital media

Motion pictures, American

Film and Television Studies

Digital and New Media

American Film and TV

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa



Livello bibliografico

Monografia

Sommario/riassunto

This book argues that 3D films are becoming more sophisticated in utilising stereoscopic effects for storytelling purposes. Since Avatar (2009), we have seen a 3D revival marked by its integration with new digital technologies. With this book, the author goes beyond exploring 3D's spectacular graphics and considers how 3D can be used to enhance visual storytelling. The chapters include visual comparisons between 2D and 3D to highlight their respective narrative features; an examination of the narrative tropes and techniques used by contemporary 3D filmmakers; and a discussion of the narrative implications brought by the coexistence of flatness and depth in 3D visuality. In demonstrating 3D cinematic aesthetics and storytelling, Yong Liu analyses popular films such as Hugo (2011), Life of Pi (2012), Gravity (2013), Star Trek Into Darkness (2013, and The Great Gatsby (2013). The book isan investigation into contemporary forms of stereoscopic storytelling derived from a unique, long-existing mode of cinematic illusions. .