1.

Record Nr.

UNINA990006166860403321

Autore

Badr, Mohamed Abdel Aziz

Titolo

L'influence du consentment de la Victime sur la responsabilita' penale : etude compare' / M.A. Badr

Pubbl/distr/stampa

Paris : R. Pichon et R. Durand Auzias, 1928

Descrizione fisica

304 p. ; 24 cm

Disciplina

345

Locazione

FGBC

Collocazione

XII C 114

Lingua di pubblicazione

Non definito

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910831877103321

Autore

Wenger Christy I

Titolo

Yoga Minds, Writing Bodies : : Contemplative Writing Pedagogy, Perspectives on Writing / / Christy I. Wenger, Don Donahue, Tara Reeser, Susan H. McLeod

Pubbl/distr/stampa

Fort Collins, CO and Anderson, SC : , : The WAC Clearinghouse and Parlor Press, , 2015

ISBN

9781602356610

1602356610

Descrizione fisica

1 online resource (206 p.)

Soggetti

Education / Teaching Methods & Materials / Arts & Humanities

Education

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia



Sommario/riassunto

In Yoga Minds, Writing Bodies, Christy Wenger argues for the inclusion of Eastern-influenced contemplative education within writing studies. She observes that, although we have "embodied" writing education in general by discussing the rhetorics of racialized, gendered and disabled bodies, we have done substantially less to address the particular bodies that occupy our classrooms. She proposes that we turn to contemplative education practices that engages student bodies through fusing a traditional curriculum with contemplative practices including yoga, meditation and the martial arts.   Drawing strength from the recent "quiet revolution" (Zajonc) of contemplative pedagogy within postsecondary education and a legacy of field interest attributable to James Moffett, this project draws on case studies of first-year college writers to present contemplative pedagogy as a means of teaching students mindfulness of their writing and learning in ways that promote the academic, rhetorical work accomplished in first-year composition classes while at the same time remaining committed to a larger scope of a writer's physical and emotional well-being.