1.

Record Nr.

UNINA990005823840403321

Autore

Bernard de Gordon <12..-1320?>

Titolo

Lilio de Medicina : un manual básico de medicina medieval / Bernardo Gordonio ; edición critica de la versión española, Sevilla 1495 por John Cull y Brian Dutton

Pubbl/distr/stampa

Madison : The Hispanic seminary of medieval studies, 1991

ISBN

0940639645

Descrizione fisica

XXII, 415 p. : ill. ; 29 cm

Collana

Medieval spanish medical texts series ; 31

Disciplina

610.9

Locazione

FLFBC

Collocazione

610.9 GOR 2

Lingua di pubblicazione

Spagnolo

Formato

Materiale a stampa

Livello bibliografico

Monografia



2.

Record Nr.

UNINA9910806153003321

Autore

Lacoue-Labarthe Philippe

Titolo

Ending and unending agony : on maurice blanchot / / Philippe Lacoue-Labarthe ; translated by Hannes Opelz

Pubbl/distr/stampa

New York, [New York] : , : Fordham University Press, , 2015

©2015

ISBN

0-8232-6680-X

0-8232-6461-0

0-8232-6460-2

Edizione

[First edition.]

Descrizione fisica

1 online resource (192 p.)

Collana

Lit Z

Disciplina

843.914

Soggetti

World War, 1939-1945

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Front matter -- Contents -- Translator’s Note -- Introduction -- Prologue -- I. “The Secret Miracle” (20 July?) -- II. Ending and Unending Agony (22 September?) -- Notes -- Bibliographical Note -- Index of Names -- Sara Guyer and Brian McGrath, series editors

Sommario/riassunto

Published posthumously, Ending and Unending Agony is Philippe Lacoue-Labarthe’s only book entirely devoted to the French writer and essayist Maurice Blanchot (1907–2003). The place of Blanchot in Lacoue-Labarthe’s thought was both discreet and profound, involving difficult, agonizing questions about the status of literature, with vast political and ethical stakes. Together with Plato, Holderlin, Nietzsche, Benjamin, and Heidegger, Blanchot represents a decisive crossroads for Lacoue-Labarthe’s central concerns. In this book, they converge on the question of literature, and in particular of literature as the question of myth—in this instance, the myth of the writer born of the autobiographical experience of death. However, the issues at stake in this encounter are not merely autobiographical; they entail a relentless struggle with processes of figuration and mythicization inherited from the age-old concept of mimesis that permeates Western literature and culture. As this volume demonstrates, the originality of Blanchot’s thought lies in its problematic but obstinate deconstruction of precisely



such processes.In addition to offering unique, challenging readings of Blanchot’s writings, setting them among those of Montaigne, Rousseau, Freud, Winnicott, Artaud, Bataille, Lacan, Malraux, Leclaire, Derrida, and others, this book offers fresh insights into two crucial twentieth-century thinkers and a new perspective on contemporary debates in European thought, criticism, and aesthetics.