1.

Record Nr.

UNINA990005847990403321

Autore

Brunet, Gustave <1807-1896>

Titolo

Supplément aux supercheries lettéraires dévoillés et au dictionnaire des ouvrages anonymes de J .M. Querard et A.-E. Barbier / par G. Brunet

Pubbl/distr/stampa

Paris : Maisonneuve & Larose, [stampa 1964]

Descrizione fisica

III, 120 p. ; 22 cm

Disciplina

014.41

Locazione

FLFBC

Collocazione

014.41 BAR 1(SUPP.)

Lingua di pubblicazione

Francese

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA990005506860403321

Autore

Carloni, Carlo Innocenzo

Titolo

Carlo Innocenzo Carloni / Amalia Barigozzi Brini, Klàra Garas ; prefazione di E. Arslan

Pubbl/distr/stampa

Milano : Ceschina, c1967

Descrizione fisica

229 p. : ill. ; 27 cm

Collana

Studi monografici di pittura

Disciplina

759.5

Locazione

FLFBC

Collocazione

759.5 CARL 1

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia



3.

Record Nr.

UNINA9910789944103321

Autore

Guertin Carolyn

Titolo

Digital prohibition : piracy and authorship in new media art / / by Carolyn Guertin

Pubbl/distr/stampa

New York : , : Continuum, , 2012

ISBN

1-4411-6643-2

1-62892-785-2

1-280-57752-5

9786613607256

1-4411-5058-7

Descrizione fisica

1 online resource (305 p.)

Disciplina

346.7304/82

Soggetti

Art and technology

Communication and technology

Digital media - Law and legislation

New media art

Piracy (Copyright)

Piracy (Copyright) - United States

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Introduction: Ambivalence and Authorship -- The Third Space of Authorship: Participatory Practices and New Narrative Models -- The New Prohibition: Digital Piracy and the Politics of Creation -- The Aesthetics of Appropriation. Creativity is Dead -- Long Live The Reflexive Remix -- Interruption (Stoppage + Repetition)  -- Disturbance (Action + Event) -- Tactical Media: Public Disturbance After the Decline and Fall of Activism -- Capture/Leakage (Performance + Documentation) -- Dynamic Data and Augmented Bodies -- Authorship. From Karaoke Culture to Vernacular Video -- "Aberrant Decoding" and Atactical Aesthetics -- Sampling -- Mashups -- Remakes/Adaptations/Intertexts -- Streamed data/content or visualization -- Archiving As An Aesthetic Form -- Hacks -- Google Empire: Smart Art and Intelligent Agents From Intelligent Tools to



Smart Art -- Real Time/ UnReal Time -- Creative Cannibalism and Digital Anthropophagy. Digital Anthropophagy -- Translation: Performing The In Between -- "Productive Mistranslation" (China and Pakistan) -- Conclusion.

Sommario/riassunto

"The act of creation requires us to remix existing cultural content and yet recent sweeping changes to copyright laws have criminalized the creative act as a violation of corporate rights in a commodified world. Copyright was originally designed to protect publishers, not authors, and has now gained a stranglehold on our ability to transport, read, write, teach and publish digital materials. Contrasting Western models with issues of piracy as practiced in Asia, Digital Prohibition explores the concept of authorship as a capitalist institution and posits the Marxist idea of the multitude (à la Antonio Negri and Michael Hardt, and Paulo Virno) as a new collaborative model for creation in the digital age. Looking at how digital culture has transformed unitary authorship from its book-bound parameters into a collective and dispersed endeavor, Dr. Guertin examines process-based forms as diverse as blogs, Facebook, Twitter, performance art, immersive environments, smart mobs, hacktivism, tactical media, machinima, generative computer games (like Spore and The Sims) and augmented reality."--Bloomsbury Publishing.