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1. |
Record Nr. |
UNINA990004682120403321 |
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Autore |
Camps, William Anthony |
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Titolo |
An introduction to Virgil's Aeneid / W.A. Camps |
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Pubbl/distr/stampa |
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London : Oxford University Press, 1969 |
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Descrizione fisica |
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Disciplina |
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Locazione |
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Collocazione |
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P2B-650-VERG.M.-8C.W.A.-1969 BIS |
P2B-650-VERG.M.-8C.W.A.-1969 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISA996395952303316 |
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Autore |
Peter John |
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Titolo |
A philosophical account of this hard frost [[electronic resource] ] : From whence is rationally concluded what effects it may probably have upon humane bodies, as to health and sickness. Both in relation to the time of the frosts continuance, and to the time of thaw that shall succeed. With cautionary directions for the prevention of such distempers as are likely to be the natural consequence of both those seasons. Which directions are not only calculated for this present season, but are designedly adapted to serve upon the like occasion for time to come. Written in answer to a letter of a person of quality, and at his command made publick for the common good. By John Peter physician |
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London, : printed for Sam. Smith at the Prince's Arms in St. Pauls Church Yard, 1684 |
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Descrizione fisica |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Reproduction of the original in the Bodleian Library. |
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3. |
Record Nr. |
UNINA9910483777003321 |
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Autore |
Rakhā Yūsuf |
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Titolo |
Barra and Zaman: Reading Egyptian Modernity in Shadi Abdel Salam's The Mummy / / by Youssef Rakha |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2020 |
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ISBN |
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Edizione |
[1st ed. 2020.] |
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Descrizione fisica |
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1 online resource (XI, 111 p. 22 illus., 12 illus. in color.) |
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Collana |
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Palgrave Studies in Arab Cinema, , 2731-4901 |
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Disciplina |
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Soggetti |
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Ethnology - Middle East |
Culture |
Motion pictures - Africa |
Motion pictures - History |
Motion picture industry |
Television broadcasting |
Middle Eastern Culture |
African Film and TV |
Film and TV History |
Film and Television Industry |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Chapter 1: Sections 1-50 -- Chapter 2: Sections 51-100 -- Chapter 3: Sections 101-150 -- Chapter 4: Sections 151-200. |
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Sommario/riassunto |
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"An electrifying, cubist portrait of a classic film's place in the world. Youssef Rakha says that Shadi Abdel Salam's The Mummy embodies 'a |
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twilight zone of Egyptian modernity.' By writing about patriotism, grief, visual beauty, political entropy, colonialism, and sexuality, he brilliantly takes us into that modernity, that zone. Few people write about cinema with such zigzagging bravura or impertinent seriousness; not often do we get such a three-dimensional context for a film. This book will be as valuable to creative writers as it is to devotees of cinema or Egypt." (Mark Cousins, film critic and director of The Story of Film: An Odyssey) "Youssef Rakha magnificently takes us on an intellectually stimulating and highly entertaining cultural journey through the frustrations and joys of modern Egypt using Shadi Abdel Salam's masterpiece The Mummy as a tombstone touchstone. As acerbic, exciting, and politically astute as listening to The Last Poets with Godard-esque jump cuts, this stylish text makes traditional critical analysis feel like tales from the crypt." (Kaleem Aftab, author of Spike Lee: That's My Story and I'm Sticking To It) "An anecdotal and ultimately engaging meander through the imagined pasts and disjointed legacies of Egyptian history, setting out from and repeatedly returning to Shadi Abdel Salam's masterpiece." (Tim Power, archaeologist and historian, author of The Red Sea from Byzantium to the Caliphate) "Egyptian novelist Youssef Rakha captures the personal relationship with art that lies beneath all scholarly endeavor, but which too often gets lost in academic analysis." (Kevin Blankinship, Brigham Young University, USA) "Brilliantly introduced by Nezar Andary, this book is a work of creative nonfiction that approaches writing on film in a fresh and provocative way. It draws on academic, literary, and personal materialto start a dialogue with the Egyptian filmmaker Shadi Abdel Salam's The Mummy (1969), tracing the many meanings of Egypt's postcolonial modernity and touching on Arab, Muslim, and ancient Egyptian identities through watching the film." (Youssef Rakha is a novelist, poet, and essayist who writes in both Arabic and English. His work is widely anthologized and translated into many languages). |
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