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1. |
Record Nr. |
UNINA990004247470403321 |
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Autore |
Bonhomme, Patrice |
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Titolo |
La poétique du vers : Jorge Guillén : Aire nuestro / Patrice Bonhomme ; sous la direction de Nadine Ly |
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Pubbl/distr/stampa |
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Bordeaux : Institut d'études ibériques et ibéroaméricaines, Bibliothèque de l'école des hautes études hispaniques, 1996 |
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Descrizione fisica |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910795248103321 |
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Autore |
Wientzen Timothy <1981-> |
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Titolo |
Automatic : literary modernism and the politics of reflex / / Timothy Wientzen |
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Pubbl/distr/stampa |
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Baltimore, Maryland : , : Johns Hopkins University Press, , [2021] |
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©2021 |
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ISBN |
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Descrizione fisica |
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1 online resource (269 pages) |
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Collana |
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Hopkins studies in Modernism |
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Disciplina |
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Soggetti |
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English literature - 20th century - History and criticism |
Politics and literature |
Modernism (Literature) |
Literature and society |
Conditioned response in literature |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Machine generated contents note: ; 1. Automatic Man: A Genealogy -- ; 2. Vibrant Bodies, Automatic Minds: Vitalism, D. H. Lawrence, and the Politics of Spontaneity -- ; 3. Public Reflex: Wyndham Lewis, Public Relations, and the Invisible Government -- ; 4. Pavlovian Nationalism: Rebecca West's Reflex Communities -- ; 5. Higher Degrees of Automaticity: Habitus, Samuel Beckett, and Late Modernism. |
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Sommario/riassunto |
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"Reconstructing a vast archive of writing about reflex behaviors, this book demonstrates the ways in which a "politics of reflex" came to shape the intellectual and cultural life of the modernist era"-- |
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3. |
Record Nr. |
UNINA9910790659303321 |
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Titolo |
Neo-latin drama in early modern europe |
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Pubbl/distr/stampa |
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[S.l.] : , : Brill, , 2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (808 p.) |
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Collana |
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Drama and theatre in early modern Europe ; ; 3 |
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Disciplina |
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Soggetti |
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Latin drama, Medieval and modern - Europe |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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Preliminary Material / Jan Bloemendal and Howard B. Norland -- Introduction: Neo-Latin Drama: Contexts, Contents and Currents / Jan Bloemendal and Howard B. Norland -- Neo-Latin Theatre in Italy / Jean-Frédéric Chevalier -- Neo-Latin Humanist and Protestant Drama in Germany / Cora Dietl -- Jesuit Theatre in Germany, Austria and Switzerland / Fidel Rädle -- Neo-Latin Drama in the Low Countries / Jan Bloemendal -- Humanist Neo-Latin Drama in France / Mathieu Ferrand -- Jesuit Neo-Latin Tragedy in France / Jean-Frédéric Chevalier -- Neo-Latin Drama in Britain / Howard B. Norland -- Neo-Latin Drama in Spain, Portugal and Latin America / Joaquín Pascual Barea -- Central and Eastern European Countries / Jan Bloemendal -- Latin Drama in the Nordic Countries / Raija Sarasti-Wilenius -- Works Cited / Jan Bloemendal and Howard B. Norland -- About the Authors / Jan Bloemendal and Howard B. Norland -- Index of Names / Jan Bloemendal and Howard B. Norland -- Index of Geographical Names / Jan Bloemendal and Howard B. Norland -- Index of Anonymous Plays / Jan Bloemendal and Howard B. Norland -- Index of Subjects / Jan Bloemendal and Howard B. Norland. |
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Sommario/riassunto |
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From circa 1300 a new genre developed in European literature, Neo-Latin drama. Building on medieval drama, vernacular theatre and classical drama, it spread around Europe. It was often used as a means to educate young boys in Latin, in acting and in moral issues. Comedies, tragedies and mixed forms were written. The Societas Jesu employed Latin drama in their education and public relations on a large scale. They had borrowed the concept of this drama from the humanist |
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and Protestant gymnasia, and perfected it to a multi media show. However, the genre does not receive the attention that it deserves. In this volume, a historical overview of this genre is given, as well as analyses of separate plays. Contributors include: Jan Bloemendal, Jean-Frédéric Chevalier, Cora Dietl, Mathieu Ferrand, Howard Norland, Joaquín Pascual Barea, Fidel Rädle, and Raija Sarasti Willenius. |
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