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1. |
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UNISANNIOBVEE022896 |
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Autore |
Montalbani, Ovidio |
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Titolo |
Brontologia cioè discorso del tuono, dove le cagioni di lui, gl'effetti, e i più reconditi significati fondatamente si scuoprono. ... Del Rugiadoso Academico della Notte, frà gl'Indomiti lo Stellato. .. |
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In Bologna : presso Gio. Batt. Ferroni, 1644 |
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Monografia |
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Il vero nome dell'A. Ovidio Montalbani appare nella pref |
Segn.: A-Fâ´Gⶠ|
Emblema dell'A. sul front. |
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2. |
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UNISA996394942003316 |
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Autore |
La Primaudaye Pierre de <b. ca. 1545.> |
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Titolo |
The second part of the French academie [[electronic resource] ] : VVherein, as it vvere by a naturall historie of the body and soule of man, the creation, matter, composition, forme, nature, profit and vse of all the parts of the frame of man are handled, with the naturall causes of all affections, vertues and vices, and chiefly the nature, powers, workes and immortalitie of the soule. By Peter de la Primaudaye Esquier, Lord of the same place and of Barre. And translated out of the second edition, which was reuiewed and augmented by the author |
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Londinij, : [Printed by T. East] impensis Geor. Bishop, 1605 |
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Altri autori (Persone) |
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A translation by Thomas Bowes of part 2 of: Academie françoise. |
Printer's name from STC. |
Reproduction of the original in the Henry E. Huntington Library and Art Gallery. |
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3. |
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UNINA990003348460403321 |
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Autore |
Cotton, David |
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Titolo |
International business topics / David Cotton |
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London [etc.], : Nelson, 1980 |
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4. |
Record Nr. |
UNINA9910780695603321 |
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Autore |
Esterhammer Angela |
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Titolo |
Creating states : studies in the performative language of John Milton and William Blake / / Angela Esterhammer |
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Pubbl/distr/stampa |
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Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1994 |
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©1994 |
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ISBN |
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1-4875-9675-8 |
1-282-00300-3 |
9786612003004 |
1-4426-7357-5 |
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Descrizione fisica |
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1 online resource (264 p.) |
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Collana |
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Disciplina |
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Soggetti |
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English language - Early modern, 1500-1700 - Style |
English poetry - History and criticism |
English language - Versification |
Visions in literature |
Performative (Philosophy) |
Speech acts (Linguistics) |
Criticism, interpretation, etc. |
Electronic books. |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Prologue: Words, Worlds, Acts, and Visions -- 1. Performative Language and Visionary Poetry -- 2. Speech Acts and World-Creation -- 3. The Language of Inspiration in Milton's Prose -- 4. Paradise Lost: The Creation of Poetry and the Poetry of Creation -- 5. The Circumference of Vision: Songs of Innocence and of Experience -- 6. Binding the Infinite: Blake's Brief Epics -- 7. Blake's Jerusalem: Statements and States. |
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Analysing texts such as The Reason of Church Government, Paradise Lost, The Marriage of Heaven and Hell, and Jerusalem, Esterhammer traces the parallel evolution of Milton and Blake from writers of political and anti-prelatical tracts to poets who, having failed in their attempts to alter historical circumstances through a direct address to their contemporaries, reaffirm their faith in individual visionary consciousness and the creative word - while continuing to use the forms of a socially or politically performative language. |
Esterhammer distinguishes between the 'socio-political performative, ' the speech act which is defined by a societal context and derives power from institutional authority, and the 'phenomenological performative, ' language which is invested with the power to posit or create because of the individual will and consciousness of the speaker. |
Angela Esterhammer proposes a new way of understanding the relationship between Milton and Blake, while at the same time evaluating the role of speech-act philosophy in the reading of visionary poetry and Romantic literature. |
Although the concept of the performative has influenced literary theory in numerous ways, this book represents one of the first full-length studies of performative language in literary texts. Creating States examines the visionary poetry of John Milton and William Blake, using a critical approach based on principles of speech-act theory as articulated by J.L. Austin, John Searle, and Emile Benveniste. |
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