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1. |
Record Nr. |
UNINA990002518630403321 |
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Autore |
Miranda, Carlo <1912-1982> |
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Titolo |
Lezioni di analisi matematica / Carlo Miranda |
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Pubbl/distr/stampa |
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Descrizione fisica |
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Disciplina |
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Locazione |
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Collocazione |
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C.14-004 |
MVII-B-26 |
2-E-16-(BIS |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910466326803321 |
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Autore |
Mirka Danuta |
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Titolo |
Metric manipulations in Haydn and Mozart : chamber music for strings, 1787-1791 / / Danuta Mirka |
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Pubbl/distr/stampa |
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Oxford, [England] ; ; New York, New York : , : Oxford University Press, , 2009 |
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©2009 |
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ISBN |
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Descrizione fisica |
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1 online resource (349 p.) |
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Collana |
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Oxford Studies in Music Theory |
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Disciplina |
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Soggetti |
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Musical meter and rhythm |
Chamber music - 18th century - Analysis, appreciation |
Chamber music - 18th century - History and criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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Contents; Introduction; Note on Terminology, Language, and Musical Examples; 1 Musical Meter between Composition and Perception; 1.1 The Concept of Meter in the Late Eighteenth Century; 1.2 The Revival of the Hierarchical Concept of Meter in the Twentieth Century; 1.3 Toward a Dynamic Model of Meter; 1.4 Borrowing from a Different Model; 2 Finding Meter; 2.1 Statistical Parameters; 2.2 Harmony; 2.3 Streaming and the Role of Bass; 2.4 Cadence (Structural Accent); 3 Sustaining Meter-Challenging Meter; 3.1 Metrum and Regularity of Beats; 3.2 Missing Beats; 3.3 General Pauses; 3.4 Fermatas |
3.5 Syncopations4 Changing Meter I: Change of Period; 4.1 Imbroglio; 4.2 Submetrical Dissonance; 4.3 Hemiola; 5 Changing Meter II: Change of Phase; 5.1 Chains of Rhythmical Dissonances; 5.2 Other Parameters in Displacement Dissonances; 5.3 Imitation; 5.4 Ligaturae, Retardation, Anticipation; 5.5 Syncopated Accompaniment; 5.6 A Remark on Subliminal Dissonances; 6 Changing Meter III: Change of Tactus; 6.1 Changes of Taktteile in Compound Meters; 6.2 Changes of Taktteile in Double Measures; 6.3 Perceptual Factors; 6.4 Taktteile and the Tactus; 7 Analyses of Long-Range Metrical Strategies |
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7.1 Haydn, String Quartet in C Major, Op. 50 No. 2, First Movement7.2 Haydn, String Quartet in F Minor, Op. 55 No. 2, Finale; 8 Wit, Comedy, and Metric Manipulations in Haydn's and Mozart's Personal Styles; 8.1 Haydn; 8.2 Mozart; 8.3 Haydn's Earlier and Later String Quartets; 8.4 Inconclusive Conclusion; Bibliography; Index of Compositions; General Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
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Sommario/riassunto |
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Focusing on the period of most intense metric experimentation in the work of both Haydn and Mozart, author Danuta Mirka presents here a systematic discussion of the composers' metric strategies. Combining historical music theory with the cognitive study of music, Mirka's award-winning book sheds new light on this repertoire and redefines the role of meter and rhythm in Classical music. |
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3. |
Record Nr. |
UNICASPUV0656352 |
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Titolo |
Le naturalisme et les lettres françaises de Belgique / numéro composé par Paul Delsemme, Raymond Trousson |
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Pubbl/distr/stampa |
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Bruxelles, : Éditions de l'Université de Bruxelles, 1984 |
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Descrizione fisica |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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