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1. |
Record Nr. |
UNINA990002036330403321 |
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Titolo |
A Bibliography and keyword index of the biting midges : (Diptera, Ceratopogonidae) / ed. by William R. Atchley |
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Pubbl/distr/stampa |
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Washington : U.S. Department Agricult., 1981 |
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Descrizione fisica |
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Collana |
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Bibliographies and Literature of Agriculture U.S.D.A. ; 13 |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
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UNINA9910424564503321 |
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Autore |
Michelini Luca |
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Titolo |
Il nazional-fascismo democratico del giovane Franco Modigliani / / Luca Michelini |
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Pubbl/distr/stampa |
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Firenze : , : Firenze University Press, 2019 |
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Descrizione fisica |
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1 online resource (92 pages) : digital, PDF file(s) |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Sommario/riassunto |
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Il nazional-fascismo economico del giovane Franco Modigliani. This volume is the first to reconstruct the intellectual profile of the young Franco Modigliani, who adheres to the economic and political theories of fascism by proposing avant-garde reflections on central issues of |
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the theoretical debate: Keynesian thought, causes and remedies for the Great Crisis of 1929 , theoretical and historical reasons behind economic nationalism and fascist autarchy. After adhering to the theories of spiritual racism, Modigliani was surprised by the promulgation of the anti-Jewish laws of 1938. After arriving in the USA, Modigliani put aside the fascist and nationalist ideology, but he cultivated the study of Keynesian structures and thoughts, of which he then offered an interpretation which is still successful worldwide to the present day. |
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3. |
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UNISA996393305403316 |
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Autore |
Nethersole Francis, Sir, <1587-1659.> |
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Titolo |
Memoriæ sacra illustriss. potentiss. Principis Henrici Walliæ Principis, Ducis Cornubiæ, &c. laudatio funebris [[electronic resource] /] / Fr. Nethersole . |
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Cantebrigiæ, : Ex officina Cantrelli Legge, 1612 |
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Descrizione fisica |
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Altri autori (Persone) |
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DownesAndrew <1549?-1628.> |
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Livello bibliografico |
Monografia |
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Note generali |
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"Funeral oration on the death of Henry Frederick, Prince of Wales."--NUC pre-1956 imprints. |
Includes verses in Greek and Latin by Andrew Downes, Regius Professor of Greek at Cambridge.--Cf. NUC pre-1956 imprints. |
Signatures: Aâ´ (first leaf blank) B-Dâ´ (last leaf blank). |
Reproduction of original in the Harvard University Library. |
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4. |
Record Nr. |
UNINA9910811217903321 |
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Autore |
Sjöholm Cecilia |
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Titolo |
How to see things : doing aesthetics with Arendt / / Cecilia Sjöholm ; cover and book design, Lisa Hamm |
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Pubbl/distr/stampa |
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New York, [New York] : , : Columbia University Press, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (238 p.) |
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Collana |
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Columbia Themes in Philosophy, Social Criticism, and the Arts |
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Disciplina |
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Soggetti |
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Aesthetics |
Art - Philosophy |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Contents -- Introduction -- 1. Sensing Space: Art and the Public Sphere -- 2. The Work of Art -- 3. The Encroachment of Others -- 4. Tensions of Law: Tragedy and the Visibility Of Lives -- 5. Comedy in the Dark: Arendt, Chaplin, and Anti-Semitism -- Notes -- Bibliography -- Index |
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Sommario/riassunto |
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Cecilia Sjöholm reads Hannah Arendt as a philosopher of the senses, grappling with questions of vision, hearing, and touch even in her political work. Constructing an Arendtian theory of aesthetics from the philosopher's fragmentary writings on art and perception, Sjöholm begins a vibrant new chapter in Arendt scholarship that expands her relevance for contemporary philosophers. Arendt wrote thoughtfully about the role of sensibility and aesthetic judgment in political life and on the power of art to enrich human experience. Sjöholm draws a clear line from Arendt's consideration of these subjects to her reflections on aesthetic encounters and works of art mentioned in her published writings and stored among her memorabilia. This delicate effort allows Sjöholm to revisit Arendt's political concepts of freedom, plurality, and judgment from an aesthetic point of view and incorporate Arendt's insight into current discussions of literature, music, theater, and visual art. Though Arendt did not explicitly outline an aesthetics, Sjöholm's work substantively incorporates her perspective into contemporary reckonings with radical politics and their relationship to art. |
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