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1. |
Record Nr. |
UNINA990000859090403321 |
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Autore |
Fiorentini, Mauro |
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Titolo |
Programmare in C / M. Fiorentini, C. Tibaldi |
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Pubbl/distr/stampa |
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Bologna : Zanichelli, 1986 |
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Descrizione fisica |
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Collana |
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CSC : Collana di Scienza dei Calcolatori |
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Altri autori (Persone) |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910456626603321 |
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Autore |
Kobialka Michal |
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Titolo |
Further on, nothing [[electronic resource] ] : Tadeusz Kantor's theatre / / Michal Kobialka |
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Pubbl/distr/stampa |
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University of Minnesota Press, : Minneapolis, 2009 |
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ISBN |
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Descrizione fisica |
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1 online resource (551 p.) |
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Disciplina |
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Soggetti |
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Theatrical producers and directors - Poland |
Experimental theater - Poland |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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My work-my journey (1988) -- Topography of representation. Independent theatre : theoretical essays (1942-1944) -- After the war : a night notebook or metamorphoses (1947-1948) -- Cricot 2 Theatre (about 1963) -- Reality of the lowest rank (1980) -- The autonomous theatre (1956/1963) -- The litany of the informel art (1955) -- The informel : terms and definitions -- The informel theatre (1961) -- The zero theatre (1963) -- The emballage (1957-1965) -- The "i" theatre (about 1969) -- The impossible theatre (1969-1973) -- 1955-1974 -- Spatial historiography: The dead class. A classroom (1971 or 1972) -- The theatre of death (1975) -- The dead class : selections from the Partytura (1974) -- Theatre of similitude. Theatrical place (1970s-1980s) -- The room : maybe a new phase (1980) -- Etudes-sketches of a scenario -- "The last supper" sequence of rehearsals -- Prison (1985) -- Reflection (1985) -- To save from oblivion (March 1988) -- The real "I" (1988) -- Illusion -- Illusion and repetition -- My meetings with death (1987) -- Memory (1988) -- Spatial historiography: Silent night. A short history of my life -- Silent night (Cricotage) (1990) -- Silent night-Partytura (Cricotage) (1990) -- The space of khora. My room (1990) -- A painting (1990) -- From the beginning my credo was-- (1990). |
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Sommario/riassunto |
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Tadeusz Kantor (1915-1990) was one of the twentieth century's most innovative visual artists, stage directors, and theoreticians. His theatre |
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productions and manifestos challenged the conventions of creating art in post-World War II culture and expanded the boundaries of Dada, surrealist, Constructivist, and happening theatre forms. Kantor's most widely known productions-The Dead Class (1975), Wielopole, Wielopole (1980), Let the Artists Die (1985), and Today Is My Birthday (1990)-have had a profound impact on playwrights and artists who continue today to engage with his radical theatre.In Fur |
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