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1. |
Record Nr. |
UNINA9910466176403321 |
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Autore |
Courtois Alphonse |
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Titolo |
Histoire de la Banque de France : Et des principales institutions françaises de crédit depuis 1716 / / Alphonse Courtois |
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Pubbl/distr/stampa |
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[Place of publication not identified] : , : Éditions Ligaran, , [2015] |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (198 pages) |
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Collana |
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Disciplina |
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Soggetti |
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Banks and banking, Central - France - History |
Banks of issue - France - History |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNICAMPANIAVAN0256089 |
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Autore |
Gall, Lothar |
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Titolo |
Walther Rathenau : portrait einer epoche / Lothar Gall |
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ISBN |
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Descrizione fisica |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910487546203321 |
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Autore |
Lehner Ace |
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Titolo |
Self-Representation in an Expanded Field |
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Pubbl/distr/stampa |
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Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2021 |
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Basel : , : MDPI AG, , 2021 |
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©2021 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 electronic resource (228 p.) |
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Collana |
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State of the Arts-Reflecting Contemporary Cultural Expression Series |
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Altri autori (Persone) |
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BhaumikSita Kuratomi |
ZeltNatalie |
LemckeRudy |
TasmanMarc |
SauerlaenderTina |
ReichertRamón |
IqaniMehita |
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Soggetti |
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The arts |
Painting & paintings |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Monografia |
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Nota di contenuto |
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Intro -- State of the Arts-Reflecting Contemporary Cultural Expression -- Contents -- Acknowledgments -- About the Editor -- About the Authors -- Introduction -- From Self-Portrait to Selfie: Contemporary Art and Self-Representation in the Social Media Age -- Issues in Self-Representation -- Between Our Selves: Conversations on Race and Representation -- Feeling Myself: Loving Gestures and Representation in Mickalene Thomas: Muse -- From Self to #Selfie: An Introduction -- Selfie Shifts -- Race for the Prize: The Proto-Selfie as Endurance Performance Art -- Reflecting on Life on the Internet: Artistic Webcam Performances from 1997 to 2017 -- Selfie-Wars on Social Media -- New Selfie Precedents -- "First Ever Selfie Cover!": Cosmopolitan Magazine, Influencers, and the Mainstreaming of Selfie Style -- Self-Image as Intervention: Travis Alabanza and the New Ontology of Portrait Photography. |
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Sommario/riassunto |
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Defined as a self-image made with a hand-held mobile device and shared via social media platforms, the selfie has facilitated self-imaging becoming a ubiquitous part of globally networked contemporary life. Beyond this selfies have facilitated a diversity of image making practices and enabled otherwise representationally marginalized constituencies to insert self-representations into visual culture. In the Western European and North American art-historical context, self-portraiture has been somewhat rigidly albeit obliquely defined, and selfies have facilitated a shift regarding who literally holds the power to self-image. Like self-portraits, not all selfies are inherently aesthetically or conceptually rigorous or avant-guard. But, –as this project aims to do address via a variety of interdisciplinary approaches– selfies have irreversibly impacted visual culture, contemporary art, and portraiture in particular. Selfies propose new modes of self-imaging, forward emerging aesthetics and challenge established methods, they prove that as scholars and image-makers it is necessary to adapt and innovate in order to contend with the most current form of self-representation to date. The essays gathered herein will reveal that in our current moment it is necessary and advantageous to consider the merits and interventions of selfies and self-portraiture in an expanded field of self-representations. We invite authors to take interdisciplinary global perspectives, to investigate various sub-genres, aesthetic practices, and lineages in which selfies intervene to enrich the discourse on self-representation in the expanded field today. Ace LehnerEditor |
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