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1. |
Record Nr. |
UNICAMPANIASUN0038428 |
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Autore |
Vertova, Luisa |
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Titolo |
Carlo Ceresa : un pittore bergamasco nel '600 : (1609-1679) / Luisa Vertova |
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Pubbl/distr/stampa |
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Bergamo : Azienda autonoma di turismo, 1983 |
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Descrizione fisica |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910502989503321 |
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Autore |
Wynne-Jones Victoria <1981-> |
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Titolo |
Choreographing intersubjectivity in performance art / / Victoria Wynne-Jones |
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Pubbl/distr/stampa |
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Cham, Switzerland : , : Palgrave Macmillan, , [2021] |
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©2021 |
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ISBN |
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Descrizione fisica |
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1 online resource (263 pages) |
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Collana |
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Disciplina |
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Soggetti |
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Performance art |
Choreography |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Intro -- Acknowledgements -- Praise for Choreographing Intersubjectivity in Performance Art -- Contents -- List of Figures -- 1 Introduction: Exhibitions and the Choreographic Turn -- 1.1 The Choreographic Turn: The Emergence and Flourishing of Dance Exhibitions -- 1.2 Defining Intersubjectivity -- 1.3 A Working Definition of Choreography -- 1.4 Summary of Chapters -- References -- 2 Museum Bodies: Choreo-Policing and Choreo-Politics -- 2.1 |
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Museum Bodies: Self-Regulation -- 2.2 The Twentieth-Century Exhibition Space: The White Cube as a Mechanism for Viewing -- 2.3 Twenty-First Century Contemporary Art Museums and the Experience Economy -- 2.4 Choreographed Bodies: Institutions, Instruction and Choreo-Politics -- 2.5 The Choreo-Political Project -- References -- 3 Xavier Le Roy and the Male Subject as Performance Artist -- 3.1 Threshold Spaces and Machinic Voices -- 3.2 Bodymades: Metamorphosis and Transformation -- 3.3 Becoming-Animal -- References -- 4 Human, Non-human and Post-human Moving Together: Tino Sehgal and Alicia Frankovich -- 4.1 Action, Alterity and Assignation: Philosophical Accounts of Intersubjectivity -- 4.2 A Relation of Relations: Gilbert Simondon's Transindividual -- 4.3 An Unruly Mob: Swarming, Social Bonding and the Multitude -- 4.4 Singularity and Dissensus: Félix Guattari and Intersubjectivity -- 4.5 The Posthuman: Post-Anthropocentrism, Darkness and De-familiarisation -- References -- 5 From Elsewhere to Here: Rebecca Hobbs' Networked and Post-Internet Choreographies -- 5.1 Rebecca Hobbs' "Otara at Night" (2011) -- 5.2 Networked Choreographies, Subjectivity as Network -- 5.3 Post-Internet or Post-Digital Art and Performance -- 5.4 Becoming-Machine and Cyborgs -- 5.5 Pushing Movement Archives into the Body: The Internet as a Library of Dance -- 5.6 Rebecca Hobbs' "Mangere Mall" (2011) -- References. |
6 Articulating Alternatives: val smith's Queer Choreographies -- 6.1 On the Possibility of Queering Choreography -- 6.2 val smith: Queer Authority and Shifting off Shame -- 6.3 val smith: Transitioning and Transformation -- References -- 7 Walking the Wall and Crossing the Threshold: Angela Tiatia, Kalisolaite 'Uhila and Shigeyuki Kihara's Counter-Hegemonic Choreographies -- 7.1 Walking the Wall: Pacific Bodies in Museums and Contemporary Art Galleries -- 7.2 Pasifika Styles: A Short Exhibition History of Pacific Bodies Performing in Museums and Contemporary Art Institutions -- 7.3 Crossing the Threshold: Decolonizing Choreographies -- 7.4 Dancing as if to Float: Vā and Relational Space -- References -- 8 Conclusion: Unsettling the Museum -- References -- Index. |
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